Hommage à Otto Freundlich I, 1989
Print : Screen Print · 40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 36
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 80 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Description
Printed in Basel by Fanal editions.
Presentation
Marie-Thérèse Vacossin started her artistic formation in her adolescence. She pursued an academic education until 1956 based on the mastery of reproducing the original designs as well as working with live models.
From 1951 until 1955, she took some courses with Robert Lapoujade who incited her to give up the idea of representation and appreciate the beauty all around her instead, perceiving the world as full of forms, rhythms and colors.
During twenty years, the work of Marie-Thérèse Vacossin remains eclectic. She reflects the trend of lyrical abstraction of the 50s, influenced by Viera da Silva, Nicolas de Stael, Antoni Tàpies and certain trends reflecting the new consumer society of the 60s with a return to figuration.
Under the influence of Jean Gorin and after the discovery of Ad Reinhardt, Maria Theresa Vacossin discovered her path in 1973. She ventures herself into a path of geometric abstraction, completely centered on color perception problems. The work of Marie-Thérèse Vacossin was from then on very close to the Op art style.
Reviews from our customers
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