Campbell's Soup Cans II: Old Fashioned Vegetable FS II.54, 1969
Andy Warhol   Master Artists

Print : Screen Print · 88.9 x 58.4 x 0.3 cm 35 x 23 x 0.1 inch · Ready to hang

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About the artwork

Type

Print : numbered and limited to 250 copies

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

88.9 x 58.4 x 0.3 cm 35 x 23 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

92.7 x 62.2 x 2.5 cm 36.5 x 24.5 x 1 inch

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Description

Screen print in colors on smooth wove paper. Hand signed in ballpoint pen on lower left verso by Andy Warhol. Stamp numbered 22/250 on lower left verso (there are also 26 artist proofs). Artwork size: 35 x 23 inches. Frame size: 36.5 x 24.5 inches. Printed by Salvatore Silkscreen Co., New York and published by Factory Additions, New York. Feldman/Schellmann II.54.

The artwork is in excellent condition.

One of ten prints from the 1969 Campbell's Soup Cans II portfolio. These prints featured additional flavors the brand created. This series, which expands on his Campbell's Soup Cans I prints from the previous year, is based on Warhol's original 32 Campbell's Soup Cans paintings from 1962. Warhol's signature Pop Art soup cans took the art world by storm. The work exhibits his signature design techniques and philosophy concerning consumerism, advertising, and mass production. The Campbell's Soup Cans II portfolio is one of Warhol's most valuable print series of all time.

Andy Warhol, Campbell's Soup Cans II: Old Fashioned Vegetable FS II.54

Andy Warhol

United States  • 1928  - 1987
2065 followers

Presentation

Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol is an American painter who revolutionized art from the 1960s to the 1980s, becoming a true legend today.

His real name was Andrew Warhola, and he began his career as a commercial artist. The son of Czech immigrants, he studied at the Carnegie Institute of Technology from 1945 to 1948, where he discovered advertising. He worked for Glamour, Vogue, The New Yorker, and Harper's Bazaar magazines. It was during this time that he began calling himself Warhol. A socialite and eccentric publicist, Andy Warhol left his mark on contemporary art. A leading figure in Pop Art , he understood, before many, the importance of the image in consumer society.

But he quickly abandoned comics, discovering at the exhibition of the famous Leo Castelli gallery, that Roy Lichtenstein had preceded him in this path.

More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol's life and work inspire scholars and creators worldwide with his enduring imagery, his personality, and the celebrity image he created for himself. His work continues to be the subject of research by art and cultural scholars. His impact as an artist extends beyond the "15 minutes of fame" of his famous observation: "In the future, everyone will be entitled to 15 minutes of world fame." His curiosity led to a body of work that spans all media and has contributed to the collapse of the boundary between elite and popular culture.

Andy Warhol chose to make reproductions of mass-produced, mass-market products. screen printing . He made Campbell packaging and Coca-Cola bottles the stars of his paintings. He stigmatized American consumer society and the standardization of products. His visuals quickly achieved great success.

In 1962, in addition to Campbell's soups, he revisited photos of stars such as the now famous series that later inspired so many paintings of Marilyn Monroe. His technique was to take black and white photographs , color them, and then reproduce them using screen printing, starting with his own self-portraits. Andy Warhol became the king of Pop Art and reigned over the New York underground scene. Portraits of Elizabeth Taylor, Elvis Presley, and Marlon Brando passed through the artist's hands.

With a keen business sense, Andy Warhol recruited a battalion of assistants in 1963, to whom he delegated the mass production of his creations. He moved into the "Factory," an industrial space that became his studio. The space, whose walls were covered in aluminum foil, became the center of New York's underground life. Andy Warhol made his first films there (Eat and Kiss). He also became interested in the world of music and in 1965 produced the rock band The Velvet Underground, for whom he also designed the album cover.

In 1967, he was the victim of a premeditated assassination attempt by feminist Valérie Solanas, who was one of the actors in his film of the moment, “I, a Man." She declared that “he had too much influence on my life."

Andy Warhol resumed his pictorial activity during the 70s and produced series based on Mao, Mick Jagger, Cassius Clay or commissioned portraits: Ladies and Gentleman, 1975. Often nicknamed the Pope of Pop Art, he encouraged New York artists such as the painter Jean Michel Basquiat, the singer Lou Reed and the photographer Robert Mapplethorpe in the early 80s. The genius of Pop art died on February 22, 1987 following an operation.

What should we see in Warhol's work? A reflection of an era, of a society? A great cynicism? "If you want to know everything about Andy Warhol, you only have to look at the surface of my paintings, my films, of me. There I am. There's nothing underneath."

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