Signaux, 1989
Print : lithography · 63 x 50 x 1 cm 24.8 x 19.7 x 0.4 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 160 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
63 x 50 x 1 cm 24.8 x 19.7 x 0.4 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
This dynamic artwork features a series of vibrant circles, each composed of bold and energetic colors. The circles alternate between deep blue and vivid red, creating a striking visual contrast. Expressive, swirling brushstrokes infuse the work with a sense of movement and vitality, evoking a hypnotic depth. Red ribbons undulating between the circles add a dimension of fluidity, guiding the viewer's eye through the composition. The light background accentuates the intensity of the colors, allowing the forms to stand out boldly. This artwork perfectly exemplifies the interplay of form and color, inviting the viewer to explore the emotions and visual rhythms it inspires.
Presentation
Panagiotis ‘Takis’ Vassilakis, born in 1925, is a Greek sculptor. A self-taught artist, he began to sculpt in 1946. He subsequently left Greece for London, then Paris.
His work was influenced by the invention of the radar in 1955, together with his discovery of kinetic art, followed by magnetic fields in 1958. Hence, electromagnetism, which the artist likens to the ‘fourth dimension’, is an essential feature of many of his sculptures. The 1960s saw the addition of a musical dimension to his pursuit of the invisible, leading him to create pieces which combine magnetism and sonorous vibrations.
A retrospective exhibition of his art, held at the Palais de Tokyo, attested to the impressive recognition achieved by Takis’ work, which, besides, has featured in the Pompidou Centre’s permanent collections since 1984.
His work was influenced by the invention of the radar in 1955, together with his discovery of kinetic art, followed by magnetic fields in 1958. Hence, electromagnetism, which the artist likens to the ‘fourth dimension’, is an essential feature of many of his sculptures. The 1960s saw the addition of a musical dimension to his pursuit of the invisible, leading him to create pieces which combine magnetism and sonorous vibrations.
A retrospective exhibition of his art, held at the Palais de Tokyo, attested to the impressive recognition achieved by Takis’ work, which, besides, has featured in the Pompidou Centre’s permanent collections since 1984.
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