Silver Marble, The Geneva Project, 1971
Alain Jacquet   Master Artists

Print : Screen Print · 43 x 47 x 0.2 cm 16.9 x 18.5 x 0.1 inch

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About the artwork

Type

Print : numbered and limited to 75 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

43 x 47 x 0.2 cm 16.9 x 18.5 x 0.1 inch Height x Width x Depth

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Credentials

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Description

Original silkscreen print, printed on beige cardboard, signed in pencil by the artist, numbered

Editions Bonnier gallery, Geneva

Alain Jacquet, Silver Marble, The Geneva Project

Alain Jacquet

France  • 1939  - 2008
61 followers

Presentation

After two years at the Ecole nationale des Beaux-Arts, in architecture class, Alain Jacquet moved to
New York in the early 1960s. Close to new realism, the artist works having as an inspiration classical paintings and uses advertisements and magazines.

In 1963, In Paris, he took part in Mec Art Group which included artists such as Gianni Bertini, Pol Bury, Mimmo Rotella, and Pierre Restany. These artists used processes of mechanical production of images such as a screen painting, on different media (jute, hardboard, plexiglas, wood).

Alain Jacquet favors the pointillist aspect of the grid behind the picture. His works are exhibited at the Fraser Gallery in London in 1963, and Lo-las Gallery n New-York in 1964. In the early 1970s, he became interested in esoteric thought and in systems such as braille and his correspondence with The Yi-King ("Mandala", 1972 ; "La Barat-te", 1971-1975).

In 1978, the use of computer technology allows him to create "paintings of visions" from metamorphosed photographs of the earth, from which arises a possible cosmology ("The Truth coming out of the well", 1983; "Space Ship", 1988).

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