Addiction, 2011
Philippe Huart   Emerging artists

Print : engraving · 27.5 x 27.5 x 1 cm 10.8 x 10.8 x 0.4 inch · Ready to hang

$232 232 $US
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Shipped from: France

Delivery to: United States , $ 35

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 150 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27.5 x 27.5 x 1 cm 10.8 x 10.8 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

30 x 30 x 8 cm 11.8 x 11.8 x 3.1 inch

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Description

Pictorial perception is primarily visual. It is linked to forms and rhythms. Philippe Huart's works are not based on everyday objects, but rather on their "signs."

These signs, made commonplace by their accumulation and frequency in our environment, are only enlarged by the juxtaposition and superimposition of their fragments, allowing us to perceive them from a new perspective, both surprising and familiar.

Pop Art

Sweets

Colors

Guns

Grey

Red

Philippe Huart, Addiction
France  • 1953
434 followers

Presentation

Philippe Huart was born in 1953 in Clamart (France). He lives and works in Paris.

After studying at the Ecole Supérieure des Arts Modernes in Paris, he became an illustrator and graphic designer for literary and phonographic editions until 1991, when he decided to dedicate himself exclusively to painting. He took part in numerous solo or collective exhibitions, both in France and abroad.

Philippe Huart seeks to neutralize the effect that advertising, marketing and consumption have on our unconscious. His painting is based on the objective reality that there is nothing other than what we see. The pictorial perception has nothing to do with the objects at first, but with forms and rhythms. "It is what motivates me when I frame the closest possible my images reduced to fragments." The pictorial work is precise enough and explicit in a world where the image has become an essential vector for communication. These images are the ones that trigger Philippe Huart?s expression process.

The artist does not address the elements of daily life, he addresses its signs. These signs are accumulated in our environment, whether they are domestic or public, to the point of no longer being perceived. Their accumulation and their frequency make them common, but the juxtaposition and mix of their enlarged fragments show them to us as if they were new to us, although familiar.

Through painting and sculpture practice and the choice of his subjects, Philippe Huart shows us the relationship that we have with objects that we populate our universe with. His painting is not that of an artist who would take a neutral position; it expresses the thoughts of the author on our world and its culture, which are common in our daily lives.

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