Tyra Tyre, 2004
Print : lithography · 74.9 x 58.4 cm 29.5 x 23 inch
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About the artwork
Type
Print : numbered and limited to 199 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
74.9 x 58.4 cm 29.5 x 23 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
“Tyra Tyre" by Mel Ramos captures the sleek power of automotive culture through bold Pop Art techniques that showcase the artist's iconic mastery of combining industrial products with sensual pin-up imagery from the 1960s American art movement.
This striking lithograph transforms the automobile tire into a celebration of American car culture and feminine beauty, rendered with Ramos's characteristic vibrant colors and provocative compositions that embody the spirit of Pop Art's exploration of consumer desire and advertising aesthetics. The artist Mel Ramos became renowned for his revolutionary approach to merging voluptuous female figures with automotive themes, creating works that bridge the gap between car culture and contemporary artistic expression. A perfect addition for collectors who appreciate Pop Art history and the intersection of automotive themes with mid-century American visual culture.
Tyra Tyre by Mel Ramos, American (1935–2018)
Date: 2004
Lithograph, Signed and numbered in pencil
Edition of 154/199
Image Size: 22.5 x 17.5 inches
Size: 29.5 x 23 in. (74.93 x 58.42 cm)
Presentation
Born on July 24, 1935 in Sacramento, Mel Ramos began his artistic studies in his hometown in 1953. His first exhibition was held at the David Stuart Gallery in 1965 and he also had shows in Europe starting from 1971. The Oakland Museum in California organized his first retrospective exhibition in 1977.
His painting is clearly inscribed in the pop art movement. As Roy Lichtenstein, he is inspired at the beginning of his career by American comics, by the Batman or Flash Gordon logos. Pin-ups are also a recurring themein his work and he chooses to illustrate them by figures that are isolated on backgrounds represented by brand logos. From 1970 on, Mel Ramos hijacks classics of art history as Edward Manet's Olympia or Jacques-Louis David's « Amour et Psyché ».
Mel Ramos's work is present in more than thirty public collections, including the Smithsonian Institution in Washington, the Guggenheim and the MoMA in New York or the Hamburger Kunsthalle.
On the occasion of its 75th anniversary and of the anniversary of 50 years of Pop-Art, he had a major retrospective exhibition at the Albertina in Vienna and at the Villa Stuck in Munich.
An artist of the diversion, refusing to provoke, Ramos sees in the 60's California an anticipation of our civilization where images are omnipresent. By multiplying the representation of the female body without any sexual connotations but in the context of hijacked ads, Mel Ramos illustrates the derisory side of icons and symbols of the consumerist « religion ». (which sets him apart within the pop movement). This way, he also questions the true-false values that advertising and Hollywood put forward, starting with the emancipation of women. Focusing on the female figure and its natural side, he contributed to the contemporary evolution of the nude.
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