The Water Lilies (C.M.), 2019
Ross Bleckner   Famous Artists

Print : fine art print · 107 x 178 cm 42.1 x 70.1 inch

€6,500 6 500 €

One of the last works available by this artist

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Shipped from: Germany

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 30 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

107 x 178 cm 42.1 x 70.1 inch Height x Width x Depth

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Description

Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Edition of 30.

A haunting sense of motion defines this composition. Soft shapes drift across a deep, atmospheric background. Warm reds and pale pinks emerge from a muted shadow. The forms remain elusive. They vibrate between representation and pure abstraction. Such fluidity evokes a dreamlike state. This artwork captures a fleeting moment of transition. 


The artist employs a technique that recalls the luminosity of Op Art. Each blur suggests a biological rhythm. There is a tension between the organic and the ethereal. The composition functions as a modern memento mori. It invites a quiet meditation on fragility and existence. Nature is presented not as a static image, but as a shifting energy. The gaze is drawn into a hazy, volumetric space. Subtle gradients create a feeling of depth and suspension. The colors bleed into the surrounding gray, mimicking the way memories fade. Every stroke contributes to a hypnotic, dizzying effect. The imagery lingers between the tangible and the spectral. The piece concludes with soft, blurred edges that dissolve into the void.

Floral

Blurry

Water Lilies

Red

Ross Bleckner, The Water Lilies (C.M.)

Ross Bleckner

United States  • 1949

Presentation

Ross Bleckner's immersive, large-scale paintings elicit a powerful hypnotic, dizzying effect. Whether pure abstraction of stripes or dots or more representational renderings of birds, flowers, and urns, Bleckner's work recalls Op Art and the obsessive and mysterious luminosity of Yayoi Kusama's Polka-dot paintings. 

Smoothly layered on the canvas surface against a darker gray background, his multicolored volumetric circles or “cells" look like droplets of blood or molecules viewed under a microscope. Emerging as a prominent artist in New York during the AIDS crisis in the 1980s, Bleckner's paintings, like memento mori, often suggest meditations on the body, health, disease, and especially AIDS-related death.

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