#1 From the series "Be, and it is", 2024
Print : etching, engraving · 56.6 x 44.5 x 2 cm 22.3 x 17.5 x 0.8 inch
CHF 777
777 CHF
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 70
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 3 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
56.6 x 44.5 x 2 cm 22.3 x 17.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This graphic composition plays with perspectives and geometric patterns. The eye circulates between a checkered floor and walls patterned with rhombuses. A female figure rests in the foreground, adding a calm presence to the whole.
The sharp contrast between black and white accentuates the rigor of the lines. An open door reveals a second silhouette, creating an intriguing spatial dialogue. Organic elements, such as plants and swirls evoking water, break the severity of the architectural forms.
The work on visual repetitions establishes a dreamlike atmosphere. The precision of the line emphasizes a rigorous technical mastery. Each area of the image offers a different play of textures, from dense hatching to sharp fills.
This piece is part of an aesthetic research where the pattern becomes the main subject. The balance between solid areas and empty spaces guides the reading of the scene. The whole presents itself as a stylized architectural exploration.
Presentation
Born in Isfahan, Iran, in 1983, Mojdeh Atrak is a Tehran-based artist whose work is rooted in personal experience and emotional depth.
Though her academic background is in English Translation and Interior Architecture, Atrak turned to art in 2013 after four years of intensive study in art history and mentorship with leading scholars.
Her early works include A Gate to the Inner World, a series of large-scale iris paintings, and My Melancholic Heart, bronze sculptures exploring inner states. With Dopamine, she directly addressed her experience with depression, translating neurochemical and environmental influences into vibrant canvases.
Her Knots series, intricate pen drawings on cardboard and silk, became a four-year meditative process. Tragically, much of the work was stolen before its exhibition. This loss gave rise to Not Knots, No More, a performance where she tied 1400 meters of white rope into knots and invited the public to help untangle them, an act of communal healing.
She later restored damaged Knots pieces using gold thread, inspired by Kintsugi.
During the Woman, Life, Freedom movement, she created a video performance involving strangers retying and untying a knotted rope, symbolizing resistance and solidarity.
Atrak continues to explore new forms through linocut prints and ceramic sculpture, deepening a practice anchored in resilience, ritual, and transformation.
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