Bronze Sculpture for Sale
Angst / Anxiety / Anxiété 1896, 2019
Print : lithography, etching · 61.5 x 45 cm 24.2 x 17.7 inch
€625
625 €
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Shipped from: France
Delivery to: France , € 26
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from FRANCE ART DIFFUSION
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About the artwork
Type
Print : numbered and limited to 60 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from FRANCE ART DIFFUSION
Invoice from the gallery
Signature
Stamped
Technique & Support
Dimensions ( cm • inch )
61.5 x 45 cm 24.2 x 17.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Lithograph | Handsigned & numbered edition at 60 exemplars only.
According to the original lithograph "Angst" by Edvard Munch dated 1896 of the Munch Museum in Oslo (Norway) & for the first time in the world in reedition.
Technique : Lithography
Date of edition : 2019
Publisher: France Art Diffusion
Size : 61,5 x 45,0 cm / 24.2 x 17.7 in
Paper : Velin d'arches 270g.
Justification : handsigned & numbered in pencil by the lithographer & the publisher.
Dry stamp publisher & lithographer.
Certificate of authenticity.
From the drawing to its printing, this lithograph has been entirely realized by hand. With the same technical and artistic constraints, the same moves are made on the very same period machines. Drawing on the stone, printing colour by colour on lithographic hand-press of 19th century.
Presentation
Born in Løten, Norway, in 1863 and died in Ekely in 1944, Edvard Munch is one of the major artists of the transition between 19th-century Symbolism and 20th-century Expressionism. A painter and printmaker, he is world-renowned for his iconic work The Scream, which has become a universal symbol of modern existential angst.
Coming from a modest family, Munch was deeply affected by the successive bereavements of his mother and sisters. These personal tragedies fuel the recurring themes of his work: illness, death, solitude, destructive love. Very early on, he became interested in painting and trained as an artist in Christiania (now Oslo). He began his studies in naturalist painting before adopting a more personal style, influenced by symbolism and artists like Gauguin .
Since the 1890s, Munch has developed a unique and introspective visual universe. His works express the torments of the human soul with unprecedented emotional force. His stay in Berlin in 1892, where he caused a scandal with an exhibition deemed too audacious, marked a decisive turning point. He then frequented progressive literary and artistic circles, collaborated with Strindberg, and explored engraving, lithography, and woodcuts, mediums he mastered brilliantly.
Among his most famous series, The Frieze of Life embodies his tragic vision of existence, where love, jealousy, fear, and death coexist. He notably painted The Dance of Life and Madonna, works that demonstrate his unique style, combining psychological intensity, stylized composition, and muted colors.
Despite the mental illness that affected him in the 1900s, Munch continued to produce prolifically. He also devoted himself to public commissions, including the monumental frescoes for the University of Oslo. From 1916, he retired to Ekely, where he continued to paint until his death, exploring new subjects, such as the world of work and Norwegian landscapes.
A pioneer of German Expressionism , Munch profoundly influenced artists such as the Die Brücke group. His rich and introspective oeuvre consists of over 1,000 paintings, 15,000 prints, and 4,000 drawings. The Munchmuseet in Oslo preserves most of his legacy.
Today, Edvard Munch remains a pivotal figure in the history of modern art, celebrated through numerous international exhibitions, notably in Paris, Zurich, Berlin, and Frankfurt. His tormented world continues to fascinate, and his works continue to resonate with the questions of our time.
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