Sans titre, 2013
Karine Rougier  

Print : Screen Print · 50 x 70 x 1 cm 19.7 x 27.6 x 0.4 inch

€150 150 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 17

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 50 copies

4 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

50 x 70 x 1 cm 19.7 x 27.6 x 0.4 inch Height x Width x Depth

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Art gallery

Professional art gallery • France

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Vetted seller since 2016

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Description
Screenprint on centaur paper 300 gr.

Nude

Anthropomorphism

Camels

Cartoons

Grey

Karine Rougier, Sans titre
Malta  • 1982

Presentation

Floating on the white surface of the paper, Karine Rougier's drawings house a curious, disturbing, sexual and sometimes macabre population. Evanescent, lost in the immensity of an A4 sheet or a 120 x 115 cm plan (in particular), the characters discreetly continue their anxiety-inducing and liberated activities. The black line draws each hair, each coat, each detail with a precision that undoubtedly comes from a certain form of obsession. Everything then combines to lay the foundations of a precious and sassy work, in which the most vague dreams take shape with formidable clarity. Everything crosses Karine Rougier's world, medical imagery, shamanism, the Indian gods, Batman and Hieronymus Bosch… the sources blur without any other distinction than their role in the narrative composition of the drawing. But these creatures seem to be drowning, the artist leaves them in the depths of the image, she keeps them at a distance lest they appear in reality with too much confidence. The use of the solid pattern also participates in this precaution, it reminds us of these figures from the other world in their condition as artefacts. So Karine Rougier contains them in the Pandora's box that constitutes her abundant work. Guillaume Mansart, 2010.

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