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Rayvenn Shaleigha D'Clark Untitled , 2016

$16,532

One of the last works available by this artist
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The artwork is available for pickup from the gallery in London, United Kingdom


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About the seller
MTArt

London, United Kingdom

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About the work
  • Medium

    Sculpture : Silicone

  • Dimensions cm | inch

    6.3 x 7.5 x 3.5 inch

  • Display

    The sculpture cannot be displayed outdoors

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Not Signed

  • About the artwork

    Artwork sold in perfect condition

    Untitled, 2016 (Female) is a sculpture-cum-death mask of one of the artist's contemporaries.
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Origin: United Kingdom
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Rayvenn Shaleigha D'Clark

United Kingdom

Rayvenn Shaleigha D'Clark is a UK based, self-taught, digital sculptor, writer, researcher and curator living in Central London. She was born in London in 1995 and studied at Chelsea College of Arts, where she gained an MA in Fine Art in 2018. She is represented by MTArt.

Following the affirmation of media, D'Clark's practice explores the digital hybridity of sculpture. She explores the nuances of identity that pivot between hyper-visibility and invisibility, offering (re-)imagined collective perspective. Her work chronicles the elevated reframing of black anatomy. She chronicles the reframing of black anatomy in order to open up a dialogue about the irregular and marginalised position of the black artist – turning 'the system' back on itself, she uses the power, influence and materials of the industry to present an alternative narrative history and perspective. She explores 'the nuances of identity that pivot between hyper-visibility and invisibility, offering a perspective of the SOUL as a crossbreed of aesthetic references. She asks: 'When will the black body truly escape [from] the guise of the white imagination?'

Such ideological positioning shifts the normative function of figurative practices within this mode of self-referential questioning, which engenders a self-sustaining (non-) fiction rooted in authenticity and criticality that allows audiences to break free from reference once and for all in a new form of hybrid realism.

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Rayvenn Shaleigha D'Clark, Untitled
Rayvenn Shaleigha D'Clark, Untitled Rayvenn Shaleigha D'Clark, Untitled