Emergence - Ensemble 3 contenants soufflés avec inclusion sur support métallique, 2018
Sculpture : metal, glass · 33 x 33 x 24 cm 13 x 13 x 9.4 inch
€350
350 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 42
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
33 x 33 x 24 cm 13 x 13 x 9.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
This intriguing work of art masterfully combines glass and rusted metal. Three beautifully blown blue glass vials emerge from a circular metal base, contrasting harmoniously with its oxidized surface. The vials, each of a distinct size, captivate with their transparency and the play of light they create, offering a fascinating visual spectacle. The metal base, although corroded, gives the whole a robustness and patina that evokes the passage of time. The balance between the fragility of glass and the solidity of metal embodies a striking duality. This bold and innovative combination prompts the viewer to reflect on the beauty of aging objects and the fusion of materials. A captivating masterpiece that transcends the conventional boundaries of modern art.
Presentation
My name is Christian Lutz,
I opened a personal business at the end of 2000, in order to "act" on my need to create works in glass, a material that has always fascinated me.
Creator of works in blown glass with cane for more than twenty years but today completely turned towards glass paste, I work alone in my Breton workshop where I shape unique pieces. Artist fascinated by the "light" of glass, I most often seek to highlight it and to create harmony between forms with sober lines and plays of colors. But I can also be attracted by an alchemical temptation which sometimes pushes me to favor the unexpected and opacity.
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