No Smoking, 2012
Sculpture : neon · 7.3 x 26.6 x 0.8 cm 2.9 x 10.5 x 0.3 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: Switzerland
Delivery to: Germany , € 100
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
neon , without pedestal
Dimensions ( cm • inch )
7.3 x 26.6 x 0.8 cm 2.9 x 10.5 x 0.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Neon sculpture. Edition of 30. Signed and numbered on certificate. In mint condition.
Conceptual artist Adel Abdessemed, like William Lamson and Cai Guo-Qiang, creates situations based on deliberate actions—or “acts" as he calls them—carried out on everyday materials, which he documents with videos, photographs, and later juxtaposes with a sculptural remainder from the action itself.
Presentation
Adel Abdessemed (born 2 March 1971, Constantine, Algeria) is a French conceptual artist. He works and lives in Paris and London.
Adel Abdessemed began his artistic production in Batna (1986-1990), then in Algiers, in the École Supérieure des Beaux-Arts, from where he left in 1994 consequently to the assassinate of the director Ahmed Asselah, and his son, inside the school.
Afterwards he lives and works in Lyon (École Nationale des Beaux-Arts, 1994-1998), Paris (Cité internationale des arts, 1999-2000), New York (P.S.1 Scholarship, 2000-2001), Berlin (2002-2004), Paris (2005-2008), New York (2009), Paris (from 2010 to nowadays).
Artist Adel Abdessemed refuses to be limited to a single ideology or medium—he works across video, animation, performance, and sculptural installation. He passionately tackled religious, sexual and hallucinogenic taboos subjects in his early works and his later exhibitions have often focused on the theme of global violence.
Although some consider his work to be performative, Abdessemed aggressively rejects this terminology, preferring simply to call his works “acts," recognizing the term's political implications. In an interview with Elisabeth Lebovici he stated, “I do not live between two cultures. I am not a post-colonial artist. I am not working on the scar and am not mending anything. I am just a detector…. In the public sphere, I use passion and rage. Nothing else, I don't do illusions."
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