Erosion's memory IV, 2025
Sculpture : ceramic · 30 x 29 x 29 cm 11.8 x 11.4 x 11.4 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 29 x 29 cm 11.8 x 11.4 x 11.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
Erosion's Memory VII is part of a limited edition of 10 handmade ceramic works: each unique, yet bound by the same spirit. This series was born from the tension between softness and roughness—a reflection of Audrey's dual heritage, where European and Asian influences collide. Each piece unites an elegant, timeless silhouette with raw, textured surfaces reminiscent of ancient mountain landscapes. Inspired by the Japanese kurinuki technique and shaped by the memory of hikes in the French Alps, these forms evoke a terrain sculpted by time, wind, and water. The clay speaks here, retaining the breath of the earth, the rhythm of erosion, the weight of stillness. It remembers. Each fracture and crease is a silent imprint of transformation, an invitation to contemplate what endures and what fades.
Presentation
Audrey Vo Van is a French sculptor and ceramist of Franco-Vietnamese heritage who explores the memory of inner landscapes through raw materials. After more than a decade in biomedical research, she left the world of scientific protocols for an intuitive, hands-on practice, finding a new language in clay—a language of the essential and the living.
Based in Prades-le-Lez, in the south of France, she draws inspiration from the eroded forms of nature and the contrasts between mineral and plant life. Her stoneware, often left bare, creates sensory landscapes that interact with light and shadows.
Her sculptural approach combines slow techniques (coiling, slab-building, kurinuki) with active contemplation. Her works, at the crossroads of a mural, a sculptural vase, and a free form, confront opposing tensions: the raw and the refined, the full and the empty, the feminine and the mineral. Each piece is unique, like a fragment of silence placed in space, creating a meditative and tactile universe.
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