Sans titre, 2024
Sculpture : stone · 31 x 36 x 7 cm 12.2 x 14.2 x 2.8 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Engraved signature
Dimensions ( cm • inch )
31 x 36 x 7 cm 12.2 x 14.2 x 2.8 inch Height x Width x Depth
Dimensions of pedestal:
4 x 38 x 14 cm 1.6 x 15 x 5.5 inch
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Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork features a sleek, abstract sculpture with a dynamic elliptical form. Crafted from dark-hued material, the piece presents a polished surface that reflects light subtly, enhancing its elegant curvature. Two distinct openings punctuate the structure: a large, circular void and a smaller, teardrop-shaped aperture, creating a striking interplay of negative space. These voids invite viewers to explore the contrasting sensations of solidity and emptiness, emphasizing fluidity and movement despite its static nature. The sculpture is mounted on a sturdy rectangular base, which provides stability and highlights its graceful ascent. This piece stands as a testament to the artist's mastery in balancing form and space, offering a harmonious blend of simplicity and complexity. Its minimalist yet bold aesthetic engages the observer, making it a timeless addition to any contemporary collection.
Presentation
At a noticeably early age Pastor Villanueva had already established himself as an important figure among the sculptors of his native city, La Paz, where he received a degree in Fine Arts from the Major University of Saint Andrew in 2012. Prior to his graduation the outstanding nature of his work had already merited awards. However, it was shortly after his graduation that he received important national recognitions such as the Eduardo Abaroa Award, and the Grand Price of the School of Fine Arts Salon, both in 2016.
While he favors stone, following the tradition of most Bolivian sculptors, he has also used wood for his sculptures. The themes of his pieces are varied, including monumental sculptures commissioned by governmental institutions. His renditions in stone of animals, local wildlife, and abstractions, have received acclaim from critics and collectors alike.
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