Form and Formless No.13, 2025
Mike Sasaki   Best sellers Emerging artists

Sculpture : wood · 19 x 20 x 7.5 cm 7.5 x 7.9 x 3 inch

€1,850 1 850 €
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Shipped from: Canada

Delivery to: France , € 70

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

19 x 20 x 7.5 cm 7.5 x 7.9 x 3 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Discount

This seller offers discount when you purchase multiple artworks.

Description

Form and Formless No.13 was carved from the drawing, taking care to follow the outlines precisely. As is most often the case with my work, the drawing is final and highly sensitive, where in order to preserve the aesthetic integrity, the drawing must be followed precisely. It is interesting to note that this same sensitivity of form is found in drawing from nature.

After the form is taken towards its final shape using knives, gouges, rasps and files, the sanding begins. This process of hand sanding from coarse to fine paper is lengthy and enjoyable. The finishing of the piece requires great care to sand in unidirectional strokes (as opposed to back and forth) resulting in a clean and refined surface.

Originally designed with a separation in the piece at the top right, it was during the carving process that the decision was made to keep it attached. I was working on a piece with a similar attachment so the idea was fresh in my mind. In the current piece, the reasons to keep it attached are two-fold. It adds to the structural strength of the piece, and also to its fluidity. Upon closer viewing, one can see the two connected parts exhibiting a strong sense of fusion and intimacy.

The drawing of this form emerged from an exploration of the Form and Formless series concept; that is, the formless (or space) imparting shape upon the material. This strong focus on the relationship between these two inseparable aspects of the same physicality (material and space) prompts the question of the role of duality in perception; and quietly shares the idea of an all-encompassing wholeness flowing into every aspect of human life.

The piece is signed on the bottom including the year of creation. Placing the sculpture anywhere between waist level and eye level will work well. Lighting from the front on either side or both sides will work well; and multi-directional lighting will produce very flattering shadows and will work very well. Experimentation with lighting is enjoyable and highly recommended. Dust with a soft cloth and keep a reasonable distance from heat sources. The surface of the piece is the natural wood, smoothed with sand paper. Avoid fingernail scratches or handling with oily hands. Ships in a well protected box.

Mike Sasaki

Canada  • 1982
91 followers

Presentation

Upon completion of an honours degree in Design from York University / Sheridan College in 2005, Mike lived in Japan to deepen his studies of the unique culture. After his return to Canada, the deeply imprinted memories of the Japanese gardens, architecture and arts began to emerge through his woodcraft and visual arts. The wood sculptures Mike has been carving since 2017—inspired by yoga, modern art and metaphysical philosophy—have been well received from the beginning of their career and have continued to mutate and evolve ever since. The work has been shown in YVR International Airport; at Ki Gallery in Cully, Switzerland; Craft Council of British Columbia; and Dalbergia: Fine Wood & Objects; and is on permanent display on the Ritz-Carlton Super Yacht Evrima, in Infinity House in Boca Raton - Florida, and in the lobby of Suncadia Resort in Washington.

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