Bronze Sculpture for Sale
Sculpture : wood · 21 x 21.5 x 12.5 cm 8.3 x 8.5 x 4.9 inch
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Shipped from: Canada
Delivery to: France , € 75
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
21 x 21.5 x 12.5 cm 8.3 x 8.5 x 4.9 inch Height x Width x Depth
Independent artist
Credentials
Vetted seller since 2025
Discount
This seller offers discount when you purchase multiple artworks.
Developed on paper, the form of Permeable Existence No.12 came into existence through the natural drawing process consisting of trying out ideas, building upon certain ones and turning away from others. And in this creative process where previous sketches on the page are subconsciously integrated into new explorations, there emerged this original form which I would never have discovered through mental imagination alone. Even now, looking at the piece sitting on the plinth in my studio, after all the many hours of work on it, it still appears rather alien and unfamiliar to me. That said, it is clearly a work of fine tuned proportions (which were of course guided not by the cognitive and measuring mind but rather the more intuitive sense during the drawing process), spacing and internal dialogue between the formal components.
As I dig deep into the metaphysical essence of the form, I can say the chosen title reflects the core inspiration for the piece. The title refers to an intelligent and open cosmos of energy and soul, rather than a more rigid or solid-particle point of view.
Working from a front-view drawing alone, the depth dimension of the piece had to be worked out mentally. I envisioned the slanting back of the front face as well as the turning forward of the back part, and the exact spacing between the parts had to be carefully worked out in the block, erring on the side of caution. This means, starting to carve a small hole in the certain centre of the opening and gradually enlarging the space as the other components of the sculpture become more clearly defined in their size and position.
The artwork is carved from a single block of Western Red Cedar. Acquiring a block this size, properly dried without cracks is not a common occurrence. The lighter coloured portion of the wood, which could be positioned suitably at the front of the sculpture, was also a privilege. The work is carved predominantly using traditional hand tools with the aid of an electric drill to help excavate the material from the large opening. The concentric layers were carved first with a small gouge and then refined and smoothed with a riffler and a shop-made sanding tool. Carving out the inner space between the font and back parts required particular care so as not to cut the nearby faces. The sculpture is waxed and buffed to a satin sheen with paste wax (which is a mixture of beeswax and the harder carnauba wax).
As well as serving as a modern art piece, I hope the sculpture inspires a deeper contemplation into nature and our human experience. It is a versatile piece in terms of placement and will work well with adequate space around it. The last picture shows the piece dimly lit by window light.
It is signed on the bottom including the year, with a pyrograph tool. Dust with a soft cloth. Avoid scratching with fingernails. Keep a reasonable distance from heat sources. It is packed safely and securely in a box for shipment.
Upon completion of an honours degree in Design from York University / Sheridan College in 2005, Mike lived in Japan to deepen his studies of the unique culture. After his return to Canada, the deeply imprinted memories of the Japanese gardens, architecture and arts began to emerge through his woodcraft and visual arts. The wood sculptures Mike has been carving since 2017—inspired by yoga, modern art and metaphysical philosophy—have been well received from the beginning of their career and have continued to mutate and evolve ever since. The work has been shown in YVR International Airport; at Ki Gallery in Cully, Switzerland; Craft Council of British Columbia; and Dalbergia: Fine Wood & Objects; and is on permanent display on the Ritz-Carlton Super Yacht Evrima, in Infinity House in Boca Raton - Florida, and in the lobby of Suncadia Resort in Washington.
All our reviews are extracted from Verified Reviews
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