LIDO, 2026
Sculpture : paper, resin, collage · 83 x 70 x 40 cm 32.7 x 27.6 x 15.7 inch
£2,440
2 440 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 322
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
83 x 70 x 40 cm 32.7 x 27.6 x 15.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This composition explores the materiality of contemporary waste. The artist assembles posters within a dark frame. The apparent chaos reveals a dense structure. Splashes of bright colors pierce the greyness of the recycled materials.
The eye circulates between fragmented inscriptions and crumpled textures. The relief accentuates the contrast between the flat background and the organic accumulation. Red threads escape the structure to descend towards the bottom of the image.
Presentation
Joachim Romain is a french artist born in 1973 in the Havre (Normandie, France).
He was confronted to art from a very young age, having grown up in a house full of classical and contemporary art. He then discovered different forms of art, such as photography, after receiving his first camera at the age of 15, or graffiti, after moving to Paris at the age of 18.
Fascinated by his birth place, his art was inspired, at first, by deterioration and urban typography (urban typo).
After working in the printing industry, his work reflects the world of advertisement through use of typography and prototypes. Joachim Romain also developed an interest for the use of paper and started creating portraits with advertisement posters, prolonging their life cycle.
Joachim Romain works with ripped, cut or burnt photographs, turning them into unique pieces of art. He also combines his fascination for photographic portraits and his attraction for urban clichés to represent men, artistic, political or commercial icons that were worn by time and urban life.
The artist also works in situ, ripping pieces of portraits from posters in the streets and creating murals, bringing them out and giving them a certain importance, or revival.
His work was exposed at individual and collective exhibits in France and abroad such as in Miami or Brussels.
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