Semi-abstract Landscape Artists
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Vitalité
Françoise Dugourd-Caput
Painting - 100 x 80 x 3 cm Painting - 39.4 x 31.5 x 1.2 inch
$2,220
Les murailles de l'Atlantide
Françoise Dugourd-Caput
Painting - 80 x 60 cm Painting - 31.5 x 23.6 inch
$1,399
Carefree silence
Alexander Shandor
Painting - 77 x 36 x 0.2 cm Painting - 30.3 x 14.2 x 0.1 inch
$1,600
Fragrant shadow
Alexander Shandor
Painting - 70 x 50 x 3 cm Painting - 27.6 x 19.7 x 1.2 inch
$2,000
Don't cry geese and ducks
Alexander Shandor
Painting - 45 x 60 x 3 cm Painting - 17.7 x 23.6 x 1.2 inch
$1,600
Spring bouquet
Alexander Shandor
Painting - 40 x 50 x 0.2 cm Painting - 15.7 x 19.7 x 0.1 inch
$1,000
The first spring flowers
Alexander Shandor
Painting - 50 x 60 x 1 cm Painting - 19.7 x 23.6 x 0.4 inch
$1,700
Sunny winter day
Alexander Shandor
Painting - 60 x 65 x 3 cm Painting - 23.6 x 25.6 x 1.2 inch
$1,400
Mountains in backlight
Alexander Shandor
Painting - 42 x 65 x 0.2 cm Painting - 16.5 x 25.6 x 0.1 inch
$1,600
Stones in the Sea
Alexander Shandor
Painting - 20 x 20 x 0.2 cm Painting - 7.9 x 7.9 x 0.1 inch
$800
Flowers of the East
Alexander Shandor
Painting - 48 x 64 x 2 cm Painting - 18.9 x 25.2 x 0.8 inch
$1,800
Rodnoe village (Crimea)
Alexander Shandor
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,000
Zatysyanskyy Museum of Regional Studies
Alexander Shandor
Painting - 55 x 60 x 2 cm Painting - 21.7 x 23.6 x 0.8 inch
$1,400
Summer Landscape
Alexander Shandor
Painting - 50 x 60 x 2 cm Painting - 19.7 x 23.6 x 0.8 inch
$1,800
Forest is Not Cut
Alexander Shandor
Painting - 60 x 55 x 2 cm Painting - 23.6 x 21.7 x 0.8 inch
$1,200
Autumn in the village of Negrovetz
Alexander Shandor
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$2,000
On the Way to the Carpathians
Alexander Shandor
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$2,000
Semi-abstract Landscape Artists
Camille Pissarro’s landscape entitled Orchards in Bloom, Louveciennes (1872) was one of the first Impressionist paintings to be displayed. The use of buildings and trees to frame paintings and the ability to capture light or fleeting cloud shadows on a hillside changed the art world forever. Can we see what the artist saw? By forgoing absolute realism, but still creating landscapes that were recognizable, the Impressionists opened the floodgates for color and shape to become the focus. By the 20th century, abstract art strived to not depict any ‘likeness’ to reality at all. But what if there is a middle ground, a shift away from realism in order to capture life and light in the moment but not abstract enough that color and shape denies the viewer anything recognizable – like semi-abstract landscape art? Like abstract figurative art, this movement can fall on the spectrum between realism and complete abstraction and in our selection of works, artists like Liliane Paumier paint “life itself”, depicting harmony in their use of color when rendering rural motifs. Suiting vast compositions, semi-abstract landscape art can broaden the frame of the artist and allow them to take a snapshot of what the eye can’t see…yet still recognizes – you only have to tumble into the abyss of artists like Christelle Desangles to find out…