Sculpture métallique, 1983
Salvador Presta  

Sculpture : iron · 198 x 121 x 41 cm 78 x 47.6 x 16.1 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

198 x 121 x 41 cm 78 x 47.6 x 16.1 inch Height x Width x Depth

Dimensions of pedestal:

5 x 41 x 41 cm 2 x 16.1 x 16.1 inch

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Credentials

Vetted seller since 2015 • Top Seller

Description

This artwork, a contemporary outdoor sculpture, is distinguished by its bold and minimalist geometric structure. It consists of a pink metal frame with angular lines enclosing suspended, colorful squares, evoking a play of levitating forms. Each square, vibrant with its color—blue, red, green, yellow—introduces a contrasting visual dynamic against the gray urban backdrop. The assembly of the elements creates a dialogue between the rigidity of the geometry and the fluidity of the natural environment. Placed on a black plinth, the work stands proudly, challenging the monotony of the surrounding landscape and inviting reflection on the interaction between modern design and public space. The innovative use of color and form gives this sculpture a striking and memorable presence.

Abstract

Geometric

Geometric abstraction

Square

Pink

Italy  • 1925  - 2011

Presentation

Salvador Presta is an Italian painter and sculptor.

He lived much of his life in Argentina, where he was one of the founders of the MADI movement.

The Madi movement is a geometric abstract art movement founded in 1946 in Buenos Aires by Carmelo Arden-Quin. The aim of the Madi movement is to push the formal boundaries of abstraction in a playful and libertarian approach. Many contemporary art critics would like to reduce the Madi movement to its purely historical and South American dimension. Madi was indeed born in Argentina just after the end of World War II, and one might be tempted to see it as an interlude confined to the South American continent, but that would be too simplistic. Madi is much more than a movement situated between the spiritualist Russian avant-garde of Malevich and the grand American abstraction of Stella. For Madi has survived all the disputes, both the person of its founder and the passage of time. And in this first part of the 21st century, a third and even a fourth generation of young Madi artists continue to create.

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