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Anne-Sarah Le Meur, Rosebing_07

Anne-Sarah Le Meur Rosebing_07, 2018

View in a room Print 29.9 x 34.6 x 0.2 inch 4 remaining copies


+$224 Delivery fees for United States Delivery : One to two weeks

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Anne-Sarah Le Meur, Rosebing_07
  • Offered by the gallery

    Professional art gallery
    Paris - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Plate signed

  • Medium

    Print : digital art

  • Themes


  • Support

    Print on argentic paper

  • Type

    Numbered and limited to 5 copies

  • Dimensions cm | inch

    29.9 x 34.6 x 0.2 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    For almost thirty years, Anne-Sarah Le Meur has been using computers and computer language to create her images. The numbers, iterations and loops she explores and mixes, modulate shapes, colours and rhythms as she would probably not be able to do without them. While claiming a pictorial heritage (Turrell, Rothko, Monet... Guston), Anne-Sarah Le Meur seeks the limits of computer graphics: What would be the most elementary 3D technically possible? Can the 3D image be flat rather than ostensibly three-dimensional? Can the luminous phenomena of virtual space differ from those of our concrete space? How to nuance tones in very precisely controlled blurred tones... Does the artist’s body still influence creation when it takes root in computers? Thus emerges a dreamlike world, abstract certainly, but alive, teeming, strangely organic, almost sensual.

    Her images take various forms, fixed or animated, recorded or generative, projected in performance (sound or silent), or exhibited in photographic prints.


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Anne-Sarah Le Meur

Born in: 1968


Born in 1968, Anne-Sarah Le Meur received her Ph.D. in "Aesthetics, Science and Technology of Arts" in November 1999 from the Université Paris 8 Vincenne - Saint-Denis, directed by Edmond Couchot (Jury : Sally Jane Norman, Michel Bret, Edmond Couchot). Both her theoretical (Ph.D, articles) and practical research has dealt with the influence of 3D data processing on the imagination and shown in artworks. Her aim is to reveal how the expression of the body can be transformed. Her images and animations (Aforme : Some Skin Still Remains, Outgest, In-Bees-Tw'..., Where It Wants To Appear/Suffer) have been shown in France, Germany, England, Brazil, Hong-Kong, South Korea and Japan.

Since 2000, Anne-Sarah Le Meur has been working on real time 3D images for an interactive, immersive virtual environment work : Into the Hollow Of Darkness, based on the viewer’s desire to perceive. Since 2005, her visual work Eye-Ocean has been shown as a video projection, a mono screen presentation sometimes with a performance (as Grey-Moire or Creased Stria). Her panoramic and interactive part, Beyond-Round, has been produced and exhbited at ZKM (Karlsruhe, Germany). Having taught for two years (1995-1997) at the Bauhaus-Weimar University in Germany, she has been Assistant Professor and teacher-researcher in the Arts Department of Paris 1 University Pantheon-Sorbonne, since 2000.
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Anne-Sarah Le Meur, Rosebing_07
Anne-Sarah Le Meur, Rosebing_07

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