Human body
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Oblivion (Dead Astronaut #2)
Brandon Vickerd
Sculpture - 226.1 x 88.9 x 91.4 cm Sculpture - 89 x 35 x 36 inch
£71,097
La Liseuse 1/8
Réjane LeChat
Sculpture - 125 x 120 x 19 cm Sculpture - 49.2 x 47.2 x 7.5 inch
£2,309
Les bas fonds II
Clara Delaporte
Photography - 60 x 40 x 2 cm Photography - 23.6 x 15.7 x 0.8 inch
£889
Man lying down
Anthony Roaland
Fine Art Drawings - 29 x 41 x 0.1 cm Fine Art Drawings - 11.4 x 16.1 x 0 inch
£338
Red Lisa #12
Laurent Anastay-Ponsolle
Painting - 38 x 46 x 0.1 cm Painting - 15 x 18.1 x 0 inch
£578
La Esencia de la Vida 013
Ivanna Alejandra Sanchez Moretti
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
£355
Douce Corruption
Laurent Anastay-Ponsolle
Fine Art Drawings - 50 x 70 x 0.5 cm Fine Art Drawings - 19.7 x 27.6 x 0.2 inch
£667
La bagarre et l’oiseau
ADrÉ
Fine Art Drawings - 29.7 x 21 x 0.5 cm Fine Art Drawings - 11.7 x 8.3 x 0.2 inch
£347
Tête de mule Drouillard
Jean-Robert Drouillard
Sculpture - 38.1 x 12.7 x 9.5 cm Sculpture - 15 x 5 x 3.75 inch
£3,733
Please feed on my love
Laurent Anastay-Ponsolle
Painting - 56 x 76 x 0.1 cm Painting - 22 x 29.9 x 0 inch
£1,022
Murmures de jolis mots
Laurent Anastay-Ponsolle
Painting - 60 x 40 x 3 cm Painting - 23.6 x 15.7 x 1.2 inch
£1,333
Discussion Sérieuse
Laurent Anastay-Ponsolle
Painting - 30 x 48 x 2 cm Painting - 11.8 x 18.9 x 0.8 inch
£1,466
Rencontre
Laurent Anastay-Ponsolle
Fine Art Drawings - 56 x 76 x 0.1 cm Fine Art Drawings - 22 x 29.9 x 0 inch
£844
Blackened Lovers #8
Laurent Anastay-Ponsolle
Fine Art Drawings - 76 x 56 x 0.1 cm Fine Art Drawings - 29.9 x 22 x 0 inch
£844
Strong Heart
Carles Prat-Placis
Photography - 50 x 70 x 1 cm Photography - 19.7 x 27.6 x 0.4 inch
£284
Étreindre la Nuit
Laurent Anastay-Ponsolle
Fine Art Drawings - 59 x 42 x 0.1 cm Fine Art Drawings - 23.2 x 16.5 x 0 inch
£578
Seb, the smartphone junkie
Laurent Anastay-Ponsolle
Painting - 42 x 55 x 0.1 cm Painting - 16.5 x 21.7 x 0 inch
£667
L'amour rue Caulaincourt
Laurent Anastay-Ponsolle
Fine Art Drawings - 70 x 50 x 0.5 cm Fine Art Drawings - 27.6 x 19.7 x 0.2 inch
£667
Dance Moods - Ousseyni Sako (II)
Antoine Tempé
Photography - 60 x 50 x 4 cm Photography - 23.6 x 19.7 x 1.6 inch
£2,666
Shielded | Saint Tropez
Serge Guerand
Photography - 80 x 120 cm Photography - 31.5 x 47.2 inch
£2,773
Les mains du Ciel
Emilie Teillaud
Painting - 100 x 81 x 3 cm Painting - 39.4 x 31.9 x 1.2 inch
£1,866
Geogram 2
Hoel Gwern
Fine Art Drawings - 17 x 14 x 0.2 cm Fine Art Drawings - 6.7 x 5.5 x 0.1 inch
£160
R.V. (jeune poète au bidon)
Jean-Robert Drouillard
Sculpture - 165.1 x 40.6 x 30.5 cm Sculpture - 65 x 16 x 12 inch
£11,287
Silhouette emballée et contaminée (Hélène)
Jean-Robert Drouillard
Sculpture - 175.3 x 44.5 x 40.6 cm Sculpture - 69 x 17.5 x 16 inch
£9,776
Silhouette emballée et contaminée (Rosalie)
Jean-Robert Drouillard
Sculpture - 156.2 x 41.9 x 43.2 cm Sculpture - 61.5 x 16.5 x 17 inch
£8,887
Silhouette emballée et contaminée (son mari)
Jean-Robert Drouillard
Sculpture - 174 x 76.2 x 43.2 cm Sculpture - 68.5 x 30 x 17 inch
£10,665
Mon mammifère préféré (cônes 6)
Jean-Robert Drouillard
Sculpture - 139.7 x 38.1 x 30.5 cm Sculpture - 55 x 15 x 12 inch
£5,865
Unsharp #02 (2)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£3,999
Unsharp #02 (1)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£3,999
Soleil, graine et reine des prés
Marie Labat
Fine Art Drawings - 60 x 40 x 0.1 cm Fine Art Drawings - 23.6 x 15.7 x 0 inch
£427
Linge volant et arum
Marie Labat
Fine Art Drawings - 60 x 40 x 0.1 cm Fine Art Drawings - 23.6 x 15.7 x 0 inch
£427
Le réconfort 5
LN Le Cheviller
Fine Art Drawings - 100 x 50 x 0.1 cm Fine Art Drawings - 39.4 x 19.7 x 0 inch
£613
Le réconfort 2
LN Le Cheviller
Fine Art Drawings - 100 x 50 x 0.1 cm Fine Art Drawings - 39.4 x 19.7 x 0 inch
£613
Anatomie 15
LN Le Cheviller
Fine Art Drawings - 70 x 100 x 0.1 cm Fine Art Drawings - 27.6 x 39.4 x 0 inch
£711
Personnage
Pascal Marlin
Fine Art Drawings - 41 x 32 x 0.1 cm Fine Art Drawings - 16.1 x 12.6 x 0 inch
£267
L'érosion des Chimères
Laurent Anastay-Ponsolle
Painting - 24 x 36 x 2 cm Painting - 9.4 x 14.2 x 0.8 inch
£978
Cœur Noir & Lumière Rouge
Laurent Anastay-Ponsolle
Painting - 27 x 38 x 3 cm Painting - 10.6 x 15 x 1.2 inch
£1,066
Caresse bleu cadium
Laurent Anastay-Ponsolle
Painting - 22 x 32 x 2 cm Painting - 8.7 x 12.6 x 0.8 inch
£844
Homme dans fauteuil
Pascal Marlin
Painting - 122 x 107 x 3 cm Painting - 48 x 42.1 x 1.2 inch
£2,666
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.