Hold On, 2023

by Ritchelly Oliveira

Painting : acrylic, charcoal 65 x 50 x 3 cm 25.6 x 19.7 x 1.2 inch

£6,515

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9.6/10

About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic, charcoal

Dimensions cm inch

65 x 50 x 3 cm 25.6 x 19.7 x 1.2 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: Portugal

In Ritchelly Oliveira's evocative painting, the stark contrast of black and white sets the stage for a profound exploration of human vulnerability and connection. At the forefront of the composition lies a man, depicted in a moment of vulnerability as he lies down, his body gently stretching towards the observer. His outstretched hand reaches out, palm upturned, as if extending an invitation or plea for understanding.

Nestled within the palm of his hand rests a bird, mirroring the man's pose as it also lies down. This bird, symbolic of fragilities, serves as a poignant reminder of the delicate aspects of the human experience. Its presence within the man's hand suggests an intimate relationship between vulnerability and humanity, highlighting the interconnectedness of our emotions and struggles.

Through his masterful use of monochromatic tones, Oliveira captures the essence of this intimate moment with striking clarity. The absence of color heightens the emotional impact of the scene, inviting viewers to engage deeply with the raw vulnerability depicted on the canvas.

As with much of Oliveira's work, this painting delves into themes of love, fragility, and the experiences of black individuals. By intertwining these elements within the composition, Oliveira offers a profound commentary on the universal nature of human emotion and the power of connection to transcend barriers of identity and experience.

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About the seller

Tilsitt Gallery • Portugal

Artsper seller since 2022

Vetted Seller

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Collector’s Guide

Imagine it at home

Ritchelly Oliveira, Hold On

Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.

Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.


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