This may come as surprise but I miss you, 2023
Painting : acrylic, charcoal · 186 x 146 x 3 cm 73.2 x 57.5 x 1.2 inch · Ready to hang
€16,500
16 500 €
Shipping & delivery
Shipped from: Portugal
Delivery to: Spain , € 150
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
186 x 146 x 3 cm 73.2 x 57.5 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
190 x 150 x 5 cm 74.8 x 59.1 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
"This may come as a surprise but I miss you" by Ritchelly Oliveira is a captivating artwork that evokes a sense of longing and introspection against a backdrop of pure white. In the center of the canvas stands a man in red, his posture reflective and contemplative as he faces sideways.
The choice of red for the man adds a bold contrast to the white background, symbolizing passion, intensity, and perhaps the depth of his emotions. The vibrant hue captures the viewer's attention, drawing them into the emotional meaning of the painting.
The man's contemplative pose suggests a moment of introspection and inner turmoil. His sideways gaze hints at a longing or yearning for something or someone, while his embrace of the bird adds a layer of symbolism.
Presentation
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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