Diaquarelle n°140, 2025
Stéphane Belzère  

Fine Art Drawings : Watercolour · 50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

51 x 51 x 2 cm 20.1 x 20.1 x 0.8 inch

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Description

"Diaquarelle n°140" is part of the "Diaquarelles" series, based on family and promotional slides, or archival collections collected from relatives, friends, or anonymous individuals. In these watercolors, Stéphane Belzère explores a world of analog images that have been cast aside and abandoned, replaced exponentially by the arrival of digital images.

This series gives him the opportunity to broaden his own vision by adopting a different perspective and sensibility. This work depicts the Italian yellow jersey Francesco Moser amidst a crowd of journalists during the 1975 Tour de France.

Everyday life

Sport

figurative

Cyclist

Journalism

Tour de France

Red

Stéphane Belzère, Diaquarelle n°140
France  • 1963

Presentation

Son of painters Jürg Kreienbühl and Suzanne Lopata, Stéphane Belzère shows a strong interest in the preservation of flesh, the food production, the anatomical forms and the representation of body. 

In the National Museum of Natural History in Paris, he painted the brains and organs of animals preserved in formalin jars. Source of attraction and repulsion, this obsessional motif offers the possibility of a dialogue between the flesh and the material of the paint. A meticulous observation of the sediments deposited in anatomical preparation jars is at the origin of the "Long paintings"; the strata of disintegrated materials, enlarged by the magnifying effect of glasses, evoke indifferently glacial and inner landscapes, real and imaginary worlds, between figuration and abstraction. Simultaneously, he has never ceased to deal with human figure, like for example his series of 700 intimate self-portraits, called "Nocturnal reflections", executed through the reflection of his kitchen window of his Berliner studio. 

Graduated from the Beaux-Arts de Paris, he has been the recipient of several prizes and his research on transparency has also led him to be commissioned stained glass windows for the Rodez Cathedral. His work is part of many public and private collections: Kunstmuseum Basel, FRAC Île-de-France, Strasbourg Museum of Modern and Contemporary Art, Daniel & Florence Guerlain Contemporary Art Foundation, Edouard and Maurice Sandoz Foundation…

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