N° 720 Et mon pied ? Il te plaît mon pied ?, 2009
Fine Art Drawings : pastel · 43 x 42 x 0.3 cm 16.9 x 16.5 x 0.1 inch
$198
198 $US
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Shipped from: France
Delivery to: United States , $ 34
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
43 x 42 x 0.3 cm 16.9 x 16.5 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork depicts a female nude in a seated pose, capturing a subtle combination of vulnerability and strength. The technique used is oil pastel, providing a soft and fluid texture to the model's skin. The flesh tones blend harmoniously with turquoise and brown hues in the background, emphasizing the silhouette. The bold use of light and shadow accentuates the contours of the body, creating a striking visual depth. The face, slightly turned, expresses contemplative serenity. The relaxed posture, with a gracefully placed hand, evokes a sense of calm and naturalness. This painting is distinguished by its ability to capture the human essence with elegant simplicity, while exploring the complexity of emotions through color and form.
Presentation
"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.
The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.
The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.
The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.
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