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Moods and Fears 3, 2024
Dizlarka   Best sellers

Fine Art Drawings : Watercolour, pencil, ink · 27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch

$250 250 $US
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Shipped from: Spain

Delivery to: United States , $ 40

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This piece is part of the graphic series “Moods and Fears". It begins with an abstract mark created through monotype printing. After this first trace appears, the artwork seems to pause and invite contemplation. Shapes and emotions gradually emerge within the stain, finding their expression in the lines and details that follow.
The process feels like a blend of reading coffee grounds, quiet meditation, and a subtle, honest dialogue between the paper and what lies beneath the surface. The piece opens a space for personal reflection, offering viewers a gentle sense of mystery.

Dizlarka, Moods and Fears 3

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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