The Guardian: Modern Symbolic Mixed Media Art on Paper, 2026
Dizlarka   Best sellers

Fine Art Drawings : Watercolour, acrylic, pencil, pastel · 27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch

$250 250 $US
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Shipped from: Spain

Delivery to: United States , $ 39

Estimated delivery: Less than one week

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Discover an expressive addition to your space that invites meaningful conversation. "The Guardian" (27.8 x 20 cm / 10.9 x 7.9 in) offers a compelling look at the diversity of personality through the lens of symbolic figures. This mixed media piece utilizes acrylic, pastel, pencil, and watercolor on paper to create a textured, layered surface that feels both raw and refined. The stark contrast of the black and white figures against the bold, vibrant red elements creates a visual narrative that centers on the strength of the human character. This piece is a perfect choice for modern interior design, fitting seamlessly into offices, bedrooms, or dedicated gallery walls. Its intentional, symbolic nature makes it an ideal gift for collectors who seek art with soul and depth. By capturing the essence of the "Inner Beast" series, the work serves as a reminder that individuality is a unique combination of traits we all carry within.

Animal

Drawing on paper

Monkey

White

Black

Dizlarka, The Guardian: Modern Symbolic Mixed Media Art on Paper

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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