Cadmium rouge vertige - Vortex 16, 2019
Philippe Huart   Emerging artists

Painting : oil · 30 x 30 cm 11.8 x 11.8 inch · Ready to hang

€2,500 2 500 €

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Shipped from: France

Delivery to: Germany , € 55

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 cm 11.8 x 11.8 inch Height x Width x Depth

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Vetted seller since 2013 • Top Seller

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Description
Fear of heights
Philippe Huart, champion of "objective reality", fascinates as always. His plastic drive of disconcerting hyperrealism comes here to form astonishing compositions that flirt with abstraction as if to better confuse our perception.
Colors and materials become predominant, tangible, almost palpable. They creep under our eyes, under our fingers, but also into our nose, mouth or ears. Oscillating and vibrating, they invade us and destabilize us to the point of absolute dizziness.
France  • 1953
433 followers

Presentation

Philippe Huart was born in 1953 in Clamart (France). He lives and works in Paris.

After studying at the Ecole Supérieure des Arts Modernes in Paris, he became an illustrator and graphic designer for literary and phonographic editions until 1991, when he decided to dedicate himself exclusively to painting. He took part in numerous solo or collective exhibitions, both in France and abroad.

Philippe Huart seeks to neutralize the effect that advertising, marketing and consumption have on our unconscious. His painting is based on the objective reality that there is nothing other than what we see. The pictorial perception has nothing to do with the objects at first, but with forms and rhythms. "It is what motivates me when I frame the closest possible my images reduced to fragments." The pictorial work is precise enough and explicit in a world where the image has become an essential vector for communication. These images are the ones that trigger Philippe Huart?s expression process.

The artist does not address the elements of daily life, he addresses its signs. These signs are accumulated in our environment, whether they are domestic or public, to the point of no longer being perceived. Their accumulation and their frequency make them common, but the juxtaposition and mix of their enlarged fragments show them to us as if they were new to us, although familiar.

Through painting and sculpture practice and the choice of his subjects, Philippe Huart shows us the relationship that we have with objects that we populate our universe with. His painting is not that of an artist who would take a neutral position; it expresses the thoughts of the author on our world and its culture, which are common in our daily lives.

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