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Erró

Lino and the royals, 2018

Painting : collage 17.7 x 12.2 x 0.1 inch

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Erró, Lino and the royals

About the artwork

Artwork sold in perfect condition

Signed on the back and accompanied by its certificate of authenticity established by the artist.
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About the seller
ATEZART Galerie Michel Perrier • Avignon, France

Artsper seller since 2017

Vetted Seller

Medium
Painting: collage
Dimensions cm inch
17.7 x 12.2 x 0.1 inch
Framing
Black wood frame with glass
Artwork dimensions including frame
23.6 x 16.9 x 1 inch
Type
Unique work
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Colors

Pink

Tags

Lino Ventura

Worldwide delivery

The artwork is available for pickup from the gallery in Avignon, France or can be delivered to the address of your choice less than a week after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

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Works in prints from Erró
Erró

Erró

Iceland • Born in: 1932

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Narrative Figuration

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Icelander artists

Erró is an Icelandic artist born in 1932.

He studied painting at the Fine Arts School in Reykjavik and Oslo from 1949 to 1952, then mosaic at the Fine Arts School in Florence in 1955. In these schools, he initially specialized in the technique of paper cuts before focusing on mosaic. He moved to Paris in 1958 and met artists who were part of the Surrealist movement.

In the world of comics, Erró brought together cartoon characters and historical despots. He constantly gleans visuals in newspapers, advertising, or illustration, in order to make up his collages these include cultural samples from all the countries he visited. In this manner, comics and Chinese propaganda can and are on the same level.

He is able to create a visual impact, mixing both the temporal aspect and boundaries. Seeing a Walt Disney hero next to a dictator isn't surprising. He is committed through his works and tackles politics at full throttle. In order to denounce and criticize the events, he plays around with humor and derision. Totalitarian regimes, consumerism, and the Iraq war are his main weapons in the artistic struggle.

Before, he was used to working in cycles, his collages move from one universe to the other, creating large gaps, going from a series of eroticism to a second one, pertaining to space conquest. In his work  "Méca-Make-Up", Erró extracts faces of models from the press and then assembles them with mechanical materials that belong to cars or cameras.

His works are present in museums throughout the world and are used as references for narrative figuration and collages.

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