Les falaises grises, 2015
Sophie Dumont   Best sellers Emerging artists

Painting : oil, Knife Painting · 97 x 130 x 2 cm 38.2 x 51.2 x 0.8 inch · Ready to hang

$8,752 8 752 $US

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Shipped from: France

Delivery to: United States , $ 390

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

97 x 130 x 2 cm 38.2 x 51.2 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

104 x 137 x 3.5 cm 40.9 x 53.9 x 1.4 inch

Sold by

Independent artist

Credentials

Vetted seller since 2022 • Top Seller

Description
Each work contains its share of mystery, but nothing comes to shock the gaze subjected to the serenity of large spaces.
Cliffs on the sea in Upper Normandy reflecting on the water. Contrasts or color ratios are not violent, but blended into harmonious shades. The canvas barely suggests a landscape, like these cliffs, more evocative than monumental. Their dazzling beauty comes as much from the reflections of light reflected by their chalky walls, as from the perspective created by their escape on the horizon. Painting in oil and knife.

Very material painting with more than thirty layers providing a vibration effect. The cliffs are mighty as is the bill. The edges of the painting are painted which allows you not to put a frame.
The painting is unframed by choice of the artist.

Abstract

Abstract art

Cliffs

Sea

Landscape

Semi-abstract

Sophie Dumont, Les falaises grises

Sophie Dumont

France  • 1964
756 followers

Presentation

Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.

Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.

Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.

From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.

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