Immagine 4, 1981
Painting : Watercolour, pencil, pastel, mixed media · 50 x 35 x 0.1 cm 19.7 x 13.8 x 0 inch
$141
141 $US
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Shipped from: Italy
Delivery to: United States , $ 23
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , pencil , pastel , mixed media on watercolor paper
Dimensions ( cm • inch )
50 x 35 x 0.1 cm 19.7 x 13.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
The creative act is not done only by the prefigured drawing but the imagination of the moment advises to create forms which are formed in the multiform activity of the hand.
Since 1970 Ambrosio has been directed towards the idea of the GESTURE and its process that leads to the composition of the work. The lines overlap in an infinite operation. -IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the Gesture ignites resources and makes it possible to transpose all the hopes of our desire.
Since 1970 Ambrosio has been directed towards the idea of the GESTURE and its process that leads to the composition of the work. The lines overlap in an infinite operation. -IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the Gesture ignites resources and makes it possible to transpose all the hopes of our desire.
Presentation
Ambrosio Paolo, after years of preparation, he moved towards painting with a fundamental gestural attitude and developed his own method which took advantage of the immediacy of the gesture-sign of IMAGE-ART.
In the canvas, as in a "court of words", the gesture activates the vibrations that bring into the world a reality suspended in time. The gesture draws its reality, penetrates its secrets and becomes aware of an underlying labyrinth. These gestures do not have in themselves the ambiguity of the gesture since they free themselves, in the dynamics of the work, from the traces of the movement of the hand.
IMAGE-ART is an artistic practice that has used the eye's ability to manage GESTURE since the 1970s. Ambrosio follows GESTURE in the footsteps of the hand movement where an expressive form emerges, a SIGN that gives freedom to GESTURE. In practice, GESTURE activates resources and allows the value of the SIGN to be transposed into the work.
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