Suspensions II, 2017
Painting : oil · 65 x 50 x 3 cm 25.6 x 19.7 x 1.2 inch
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Verified Reviews : 9.6/10
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Sumit Mehndiratta
Fine Art Drawings . 65 x 46 x 0.1 cm Fine Art Drawings . 25.6 x 18.1 x 0 inch
€700
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65 x 50 x 3 cm 25.6 x 19.7 x 1.2 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
In her paintings from the "Suspensions" series, Sylvie Guyomard pursues her research on light effects. On a bare canvas, without preparation, the artist spreads fine streams of oil and pigments which are juxtaposed vertically. Through this colored curtain, a few inlays (white gold, mother-of-pearl, partitions, etc.) thus recreate the effects of moiré and lightness. ... It's a real hanging painting that interests me; lightness and transparency, fluidity and flow. It is even more evident on the plexiglass, with always this rhythm which inhabits me ... Sylvie Guyomard The works are without frame, placed on the wall; the title "Suspensions" speaks for itself.
Presentation
Born in 1964, Sylvie Guyomard is a plastic artist who, after having studied at the Beaux-Arts School in Paris, studied mural painting; she is also passionate about architecture.
Her creations are influenced by nature, she is interested in volcanic eruptions, in geology, in fossils; everything that involves the ?boiling? of the earth.
Sylvie Guyomard has worked in the beginning with inlays of materials to arrive today to something more ?zen?, all the while following her own path.
From her third project on, she has been using slate. She works with this material in order to show and use the light. The search for reflections, the strong contrasts, she goes from light gray to black , in some cases adding inlays to accentuate the mysterious side, reminding of icons a little.
Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and be able to contemplate each angle and see the piece so differently from one place to another. For her, the light is part of the piece and it can make it evolve through the day and the seasons.
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