N° 1235 Saint-Jean d’Acre 2., 2020
R. Cavalié  

Painting : oil · 33 x 46 x 2 cm 13 x 18.1 x 0.8 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

33 x 46 x 2 cm 13 x 18.1 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

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Vetted seller since 2021

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Description
It is in the basement that the vastness of the hospital fortress is revealed. The artist ventures here, not only to describe this room in bloody tones, a probable resonance of the painful current events, but does not hesitate to insert in the exhibition window in the shape of a standard, a lady holding a lily in a kind of lying and broken heart. It is in reality a very enlarged reproduction of a 13th century plate discovered on the site of Apollonia (ancient Arsour) which is presented, among other superb oil lamps and statuettes, right there, on these shelves blued by spotlights.

Architecture

Everyday life

Composition

Philosophy

Realism

Travel

orange

R. Cavalié, N° 1235 Saint-Jean d’Acre 2.

R. Cavalié

France  • 1944
184 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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