True stories of the Middle East, 2023

by Mohammad Ariyaei

Painting : acrylic 168 x 192 x 5 cm 66.1 x 75.6 x 2 inch

$10,545
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About the artwork

Type

Unique work

Signature

Not Signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

168 x 192 x 5 cm 66.1 x 75.6 x 2 inch Height x Width x Depth

Framing

Not framed


Tags

Fantastic

Animal

Eastern Art

Horse Rider

Colors

Iran

Birds

Characters

Artwork sold in perfect condition

Artwork location: France

Acrylic painting on canvas

THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI

Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a river that has long been underground, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of the space, a sort of oriental version of the Riches Heures du Duc de Berry, teeming with legendary reminiscences, Persian of course, but also Assyrian, or even from Indian or Chinese folklore. The decorative luxuriance of Persian rugs finds a new lease of life here. Just as carpets fly away in Persian tales, the imagination of anyone immersed in this universe of high fantasy hovers in a timeless reverie of the Golden Age where the most colorful of mythological fauns are active. Winged horses, centaurs, grimacing demons, horned monsters, cloven-footed genies, everything invites the viewer to tell a thousand stories. Women strike lazy poses in luxurious hammams. Why are they black? This is apparently the traditional color that legend attributes to the jinns, spirits of nature coming from a smokeless fire. Similar to elusive supernatural beings, they are more subliminal fantasies than carnal reality. Limitless abundance, the impression of embracing with your eyes a universe of inexhaustible treasures, what was confidential in illumination expands, overflows everywhere and attains the dignity of wall dimensions.

Xavier BUREAU

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About the seller

Galerie Claire Corcia • France

Artsper seller since 2013

Vetted Seller

This seller rewards your purchases of multiple artworks


Collector’s Guide

Imagine it at home

Mohammad Ariyaei, True stories of the Middle East
Mohammad Ariyaei

Mohammad Ariyaei

Iran  • 1987

Mohammad Ariyaei was born in 1987 in Golpayegan, a small Iranian town in the province of Isfahan.

As a child, he plays with two imaginary friends, who live in the courtyard or in the kitchen cupboard, and who according to him are geniuses or fairies. He also spends a lot of time with his grandmother, who practices Sufism and dialogues with the afterlife, and whose rich and fantastic stories inspire him and populate his imagination.

In 2013 he met at a friend's house an illustrator of children's books who encouraged him to paint his first canvas. He painted several other works, without training. It is the beginning of his career as an artist. From 2013, his work has been honored in several group exhibitions (in Iran and in particular in Tehran, the Netherlands, Lebanon, Germany and Dubai in the United Arab Emirates), and individually in 2018 and 2020 in Iran.

He paints the entire surface of the paper and rarely leaves room for breathing in his canvases with bright and vibrant colors. His characters who seem stuck on the background could catch the viewer. Without perspective, without vanishing point, they tighten themselves on the surface of the paper to fit into the frame, like geniuses trapped in a lamp. On or next to them he writes informative and ironic poems by Saadi and Hafez.


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