No Title, 1964
Painting : oil · 30 x 40 x 1 cm 11.8 x 15.7 x 0.4 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 150
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 40 x 1 cm 11.8 x 15.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork features a triptych series of identical portraits of a smiling male face, bathed in a nuanced color palette of gray and black, contrasting with a bright yellow background. The three images are arranged in a horizontal line, evoking a haunting repetition that irresistibly draws the eye.
The artist masters the play of shadows and lights to bring these figures to life, creating a sensation of relief despite the apparent simplicity of the palette used. The crisp lines and distinct contours highlight the subject's joyful expression, accentuating an intriguing dichotomy with the static, monochrome background.
Below each portrait, three cruciform shapes are subtly discernible, drawn in a light, almost imperceptible tone, which adds a dimension of depth and reflection to the work. These crosses, potential symbols of memory or sacrifice, contrast with the jovial appearance of the faces, opening the way to various interpretations.
The contrast of colors – the vibrant yellow of the portrait backgrounds and the muted green of the base – gives a dynamic and lively dimension to the composition. This marriage of animation and static incites the viewer to prolonged contemplation, plunging them into the depths of an internal dialogue between joy and meditation on life and posterity.
The work is a remarkable exploration of repetition and memory, a philosophical reflection on identity and the persistence of memories, represented by visual art that is both simple and extraordinarily profound.
Presentation
In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.
Reviews from our customers
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