No Title, 1964
Dean Tavoularis  

Painting : oil · 30 x 40 x 1 cm 11.8 x 15.7 x 0.4 inch · Ready to hang

€6,000 6 000 €

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Shipped from: France

Delivery to: Germany , € 150

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 40 x 1 cm 11.8 x 15.7 x 0.4 inch Height x Width x Depth

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Vetted seller since 2016 • Top Seller

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Description

This captivating artwork features a triptych series of identical portraits of a smiling male face, bathed in a nuanced color palette of gray and black, contrasting with a bright yellow background. The three images are arranged in a horizontal line, evoking a haunting repetition that irresistibly draws the eye.

The artist masters the play of shadows and lights to bring these figures to life, creating a sensation of relief despite the apparent simplicity of the palette used. The crisp lines and distinct contours highlight the subject's joyful expression, accentuating an intriguing dichotomy with the static, monochrome background.

Below each portrait, three cruciform shapes are subtly discernible, drawn in a light, almost imperceptible tone, which adds a dimension of depth and reflection to the work. These crosses, potential symbols of memory or sacrifice, contrast with the jovial appearance of the faces, opening the way to various interpretations.

The contrast of colors – the vibrant yellow of the portrait backgrounds and the muted green of the base – gives a dynamic and lively dimension to the composition. This marriage of animation and static incites the viewer to prolonged contemplation, plunging them into the depths of an internal dialogue between joy and meditation on life and posterity.

The work is a remarkable exploration of repetition and memory, a philosophical reflection on identity and the persistence of memories, represented by visual art that is both simple and extraordinarily profound.

Portrait

Neo-Pop

Grey

Dean Tavoularis, No Title
United States  • 1932

Presentation

In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.

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