Film, 2025
Painting : acrylic · 61 x 40 x 2 cm 24 x 15.7 x 0.8 inch · Ready to hang
€6,000
6 000 €
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 150
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
61 x 40 x 2 cm 24 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork presents a series of drawings depicting a classic car with curved, retro lines. Arranged in three vertical rows, each representation of the car features shades of orange and white, contrasting harmoniously with the textured gray background. Each numbered version of the car is placed above a subtly sketched background, incorporating touches of green reminiscent of graphic elements or lettering faded by time. The repetitive aspect accentuates a sense of movement and progression, like a cinematic sequence. The skillful fusion of old and new, through a vibrant color palette and boldly simplified forms, lends the work a temporal depth. This engaging creation invites the viewer to explore the dichotomy between nostalgia and modernity, while celebrating the timeless beauty of classic designs.
Presentation
In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.
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