Tower N°1, 2020
Dean Tavoularis  

Sculpture : wood · 42 x 19 x 20 cm 16.5 x 7.5 x 7.9 inch

$7,029 7 029 $US

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Shipped from: France

Delivery to: United States , $ 820

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

wood , without pedestal

Dimensions ( cm • inch )

42 x 19 x 20 cm 16.5 x 7.5 x 7.9 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Discount

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Description

This modern sculpture, of undeniable geometric elegance, illustrates a remarkable mastery of shapes and colors. Rising vertically from a white rectangular base, the work consists of an intricate arrangement of rectangular blocks and bars arranged to create a perfect balance between tension and harmony. The elements of this composition are painted in a bold, contrasting palette: black, red, gray, white, natural wood and yellow fit together in a visual cacophony that instantly catches the viewer's eye. Each rectangle appears to emerge or be embedded in the space in a reflective manner, their juxtaposition creating fascinating effects of depth and perspective. The centerpiece, an intense red block, stands out vigorously from the other more sober colored elements, like a declaration of power and vitality. Elongated shapes and vertical and horizontal lines intersect and overlap, adding dynamics and visual tension that stimulates the imagination. The subtle insertion of shades of natural wood adds a touch of organicity and balance to the whole, contrasting elegantly with the bright colors and monochrome hues. The work, although minimalist in its essence, reveals a structural complexity which invites reflection on the interaction of forms and spaces. This sculptural creation is a perfect demonstration of abstract art, where each element and color plays an indispensable role in creating a work that is both intriguing and emotionally stimulating.

United States  • 1932

Presentation

In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.

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