Il mondo quale tutto limitato, Circa 1970
Paolo Ambrosio  

Painting : Pigments · 100 x 80 x 3 cm 39.4 x 31.5 x 1.2 inch · Ready to hang

€1,100 1 100 €
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Shipped from: France

Delivery to: Italy , € 119

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 80 x 3 cm 39.4 x 31.5 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

102 x 82 x 4 cm 40.2 x 32.3 x 1.6 inch

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Credentials

Vetted seller since 2022

Description

In 1970, using the Gesture-sign technique, Ambrosio created L'arte povera. The sign in its expressiveness is highlighted in the spaces of the canvas that are immaterial. The sign made of nothing. Art-Povera because the elements used are worthless.

Abstract

1970s

back

People

Lines

Tate Museum

Paolo Ambrosio, Il mondo quale tutto limitato
Italy  • 1938

Presentation

Ambrosio Paolo, after years of preparation, he moved towards painting with a fundamental gestural attitude and developed his own method which took advantage of the immediacy of the gesture-sign of IMAGE-ART.

In the canvas, as in a "court of words", the gesture activates the vibrations that bring into the world a reality suspended in time. The gesture draws its reality, penetrates its secrets and becomes aware of an underlying labyrinth. These gestures do not have in themselves the ambiguity of the gesture since they free themselves, in the dynamics of the work, from the traces of the movement of the hand.

IMAGE-ART is an artistic practice that has used the eye's ability to manage GESTURE since the 1970s. Ambrosio follows GESTURE in the footsteps of the hand movement where an expressive form emerges, a SIGN that gives freedom to GESTURE. In practice, GESTURE activates resources and allows the value of the SIGN to be transposed into the work.

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