Flight of Meletus, 2024
Painting : oil · 140 x 120 x 2 cm 55.1 x 47.2 x 0.8 inch · Ready to hang
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Shipped from: Ukraine
Delivery to: United States , $ 56
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
140 x 120 x 2 cm 55.1 x 47.2 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Kon 131
Please note that this painting will be shipped rolled.
The oil painting on canvas titled "Flight of Meletus" presents a surreal and ethereal composition where classical art and contemporary fantasy collide. The scene is set within a grand architectural space, its cool-toned walls bathed in soft light that pours through a tall arched doorway. The checkered floor reflects the luminescence, adding depth and an almost dreamlike quality to the setting. At the center of the composition, a young woman appears to be levitating just above the threshold, suspended in midair with an expression of wonder and serenity. Her translucent, flowing garment, which shifts between white and delicate pink hues, billows gently around her, enhancing the illusion of weightlessness. Her arms are outstretched, as if reaching for balance or embracing the air around her. A striking blue headpiece adds a touch of regal eccentricity, reminiscent of classical depictions of muses or deities. In stark contrast, a marble statue of a male figure stands on a pedestal in the foreground. Its classical form, muscular and poised, seems frozen in time. The figure appears to gaze upon the levitating woman, as if witnessing something beyond its understanding—an intrusion of the mystical into the realm of stone and tradition. The smooth, cold texture of the sculpture is emphasized by the play of light and shadow, reinforcing its permanence and grounding it within history. Surrounding the scene, small, balloon-like creatures resembling butterflies and insects float in the air. Their glossy, reflective surfaces contrast with the soft, muted tones of the environment, adding an element of playful surrealism. Their presence blurs the boundary between reality and fantasy, suggesting a world where gravity is optional and imagination reigns. The background, veiled in a soft haze, features additional statues, their outlines barely distinguishable against the luminous backdrop. They stand as silent observers, their stillness amplifying the sense of movement in the floating woman. The interplay between solid, sculpted figures and the ephemeral nature of the scene further deepens the contrast between history and the fantastical moment unfolding.
Presentation
He was born in 1965 in the city of Novy Bug.
1983—1987 — Dnipropetrovsk State Art School.
1987-1993 — Kyiv State Art Institute.
Since 1993, co-founder of the art commune "Squat on Olehivska Street", the activity of which has two periods:
1993-1996 — "classic squat" (occupation of premises for workshops and housing, exhibition activity, as a practice of introduction into society).
1996-2006 — "fictitious squat" (author of the project — Fiction Gallery Expedition. — going beyond workshops and galleries (institutions) into open urban space.
The founder of the Hill-art direction (art on the hills), within the framework of which actions were held and facilities were created on the hills of Kyiv.
2010-2020 - develops the author's mythology, which he named "Infodelica".
The creator of paintings, promotions, objects and video art.
Lives and works in Kyiv.
EXHIBITIONS
Personal exhibitions:
2020 - Recreation room, Kyiv History Museum, Kyiv
2019 - "Voices", CSM "Soviart", Kyiv
2018 – "Two pages", Kyiv History Museum, Kyiv
2017 - "Point of support", CSM "Soviart", Kyiv
2016 – "Presidency", CSM "Soviart", Kyiv
2016 - "Relax", CSM "Soviart", Kyiv
2015 – "Wi-Fi", DTEK Academy, business center "Eurasia", Kyiv
2013 - "Infa&infadelika", 8-bit Gallery, Kyiv
2012 - "Infa", Gallery "Forest", Moscow, Russia
2011 - "Infa", RA Gallery, Kyiv
2010 – I. Konovalov, Museum of Sovr. image of Arts of Ukraine (MSIIU), Kyiv
2009 – "Golden Mountains", RA Gallery, Kyiv
2008 - Ctrl-Z, RA Gallery, Kyiv
Group exhibitions:
2020 – ART CAPITAL, Grand Palais, Paris. Salon Comparaisons, groupe Alain Campello
2017 - "Squat on Olehivska Street", Sumy Municipal Gallery, Sumy
2015 – Museum collections, Ukrainian modern art. (1985-2015)
2015 – "Coefficient of independence" (America House), Kyiv
2015 - "Art for Life" - charity project, "Art Arsenal", Kyiv
2014 - The 21st nude art exhibition "MAN & WOMAN", At the Museum of New Art, Pärnu, Estonia
2012 - "Squat on Olehivska", M17 Center of Contemporary Art, Kyiv
2012 - Art-Moscow, 16th International Art Fair, Moscow, Russia
2011 - "Independents", New art of the new country 1991-2011, "Art Arsenal", Kyiv
2011 – "Space Odyssey-2011", "Art Arsenal", Kyiv
2010 - Art project "AUT" - international art project, Chocolate House, Kyiv
Press:
• Catalog for a personal exhibition: I. Konovalov, Museum of Modern Fine Arts of Ukraine (MSIIU), "Infa", "Forest" Gallery
• The book "Squat on Olehivska Street" (1993 - 2015), Kyiv
• Collection of the Museum of Ukrainian Modern Art 1985–2015 from private collections
25 years of presence. Modern Ukrainian artists. 1991-2016, Kyiv
• Collection of catalogs of participation in numerous exhibitions and auctions
The group of artists "Squat on Olehivska", whose members include Ihor Konovalov, was a non-commercialized view of art and demonstrated an innovative approach to the interpretation of modern processes in society.
They were called "Satanists" and "prophets", progenitors of the original Ukrainian postmodernism and exhibitionists hiding from the press, who change the landscapes around - leveling the concepts of museums and galleries, artists who show indifference to the cynical spirit of the time.
This trend, which was formed in the early 90s under the noise of excitement of the times and uncertainty about the future, left bright strokes in the history of Ukrainian painting. Bright performances and flash mobs, marginal actions and protection of society, painting full of eroticism and indifference to the statute, the collapse of walls and the expansion of the framework of the traditional space for art.
The main content and essence of Igor Konovalov's work is the field of communications in modern societies.
For two decades, the artist has been researching and visualizing the processes of interaction between man and art, as well as the powerful influence of information flows on society.
Ihor Konovalov notes the existence of invisible and rapid particles of information in the modern space. These particles transmit an infinite and unique digital stream of data that has conquered the whole world. Never before has humanity had such an instantaneous transfer of information.
The artist offers the viewer to see modern information particles in the form of "bunnies" - fast in reproduction and rapid in their distribution. Their moving images filled the entire space of modern man's life.
The artist's painting is characterized by exquisite harmony. Ihor Konovalov perfectly masters the magic of color, using the entire range of modern pigments, creating rich contrasts and the finest nuances of color combinations on canvases.
Currently, the informational intervention is ongoing. But Ihor Konovalov's "bunnies" bring light and joy, since the right to choose information remains with the person.
According to the artist:
In my works, I want to photograph the world as I see it, as I want to see it, but sometimes it is as it can never be.
The image of what I write does not just appear, but knocks on the back of the head and drives me to the workshop.
Beauty is ducks in a pond and monkeys on palm trees, but they transform into other images and so endlessly.
I dream that one day I will see the earth from space.
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