N° 1276 Saint-Jean en majesté., 2025
R. Cavalié  

Painting : oil · 65 x 92 x 2 cm 25.6 x 36.2 x 0.8 inch · Ready to hang

€1,600 1 600 €
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Shipped from: France

Delivery to: France , € 25

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 92 x 2 cm 25.6 x 36.2 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

Begun on a spring day, the black-headed gulls were of course gone when this canvas was signed. The swans are no longer there and only one is reported on the Rhône this April 30. Any creation authorizing, not a lie but a poetic readjustment of truth, the artist admits that the event of the swans' nest on the Saône quay in front of the library dates from 2022. Like many other people passing through or living in the neighborhood, she will never forget the couple with the flock, and especially the mother, carrying the month following the incubation, two puny or timid cygnets on her back.

R. Cavalié, N° 1276  Saint-Jean en majesté.

R. Cavalié

France  • 1944
185 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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