Specchio della trasmutazione, 2014
Painting : acrylic, chalk, paper, canvas, mixed media · 100 x 100 x 3.5 cm 39.4 x 39.4 x 1.4 inch · Ready to hang
$3,482
3 482 $US
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 435
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 3.5 cm 39.4 x 39.4 x 1.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This atmospheric artwork unfolds as a meditative landscape of texture and light. The composition balances a heavy, earthy base with a luminous sky. Rich ochres and deep burnt sienna merge into a soft, golden horizon. A pale, reflective pool anchors the center, suggesting a moment of profound stillness.
The artist utilizes crackle paste and pigments to create a tactile surface. These fractures act as visual metaphors for memory and vulnerability. Every ridge and valley in the paint transforms the canvas into emotional terrain.
The piece avoids direct depiction to favor raw evokes. It exists in the tension between physical matter and spiritual space. Raw acrylics blend with structured textures to guide the viewer toward introspection. The gaze moves from the dark, weighted foreground toward an airy, ethereal glow. This transition mirrors a passage from the material world to an invisible realm. The final effect is one of serene contemplation, grounded by the raw energy of the medium.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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