Anabasis, 2026
Painting : acrylic, chalk, gold leaf, canvas, Pigments, mixed media · 150 x 50 x 4 cm 59.1 x 19.7 x 1.6 inch · Ready to hang
$2,800
2 800 $US
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 292
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
150 x 50 x 4 cm 59.1 x 19.7 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
A meditative journey unfolds across this vertical canvas. Muted tones of silver and grey blend into deep plums and earthy browns. The composition breathes through a rhythmic descent of vertical lines. These streaks mirror rain or ancient forest silhouettes. Textures emerge with tactile intensity. Acrylics merge with pigments to create a surface that feels weathered and timeless. Fragments of gold leaf pierce the sobriety of the palette. These luminous accents act as sacred sparks within a storm. Every crack in the medium suggests a scar turned into strength. The artwork avoids depiction to favor pure evocation. It balances the tension between heavy shadows and ethereal light. This piece operates as a visual prayer. It invites a state of deep introspection. The gaze travels from the pale celestial top to the dense emotional terrain below. A subtle interplay of crackle paste adds a layer of fragility. The final result is a suspended realm of stillness and movement. Elegance resides in these structural imperfections.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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