What the F@ck Am I Looking At?, 2025
Nataliya Bagatskaya   New & remarkable Artists

Painting : acrylic · 65 x 90 x 1.8 cm 25.6 x 35.4 x 0.7 inch · Ready to hang

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 90 x 1.8 cm 25.6 x 35.4 x 0.7 inch Height x Width x Depth

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Description

This contemporary figurative work explores the delicate moment before action. A young woman stands on a diving board, her white dress animated by a soft breeze, set against a clear blue sky. The single cloud overhead introduces a subtle surreal nuance, emphasizing the purity and simplicity of the composition. The scene captures the instant where contemplation meets decision, offering a refined visual metaphor for transition and personal transformation.
The artist employs a minimalist language, using clean lines and a limited palette to enhance the psychological presence of the figure. The painting’s balance between realism and abstraction allows it to resonate across different interior styles, while its emotional quietness gives it strong collectible appeal. Through its precision and restraint, the work invites collectors to engage with the calm tension at its core — a memorable, quietly powerful signature of contemporary art.
Dutch acrylic paints Amsterdam tm and Italian canvas by Unico were used. The finish is satin varnish, and the edges are painted in the background color. This painting is created on a pre-stretched canvas on a wooden frame. It is carefully packed in a cardboard box with layers of bubble wrap. The artwork is signed and accompanied by a certificate of authenticity.

Portrait

Fantastic

figurative

Sky

Summer

Women

Swimming pools artworks

Dress

Black

Dark blue

Nataliya Bagatskaya, What the F@ck Am I Looking At?
Ukraine  • 1967
204 followers

Presentation

Nataliya Bagatskaya (b. 1967 in Horodyshche, Ukraine; now based in Kyiv) is a distinguished Ukrainian contemporary artist and member of the National Union of Artists of Ukraine. She graduated in 1993 with a degree in clothing design from Kyiv National University of Technology and Design. She works primarily in acrylic, applying traditional oil painting techniques to achieve extremely detailed, hyperrealistic, photorealistic, and contemporary realism compositions within a metamodern framework.

Her thematic range includes portraits, still lifes, landscapes, and narrative scenes infused with pop culture, political references, iconic symbols, and visual irony. Bagatskaya’s creative approach melds technical craftsmanship with conceptual storytelling, creating visually powerful yet emotionally resonant artworks.

Her exhibition record exceeds 30 group shows and four solo exhibitions in Ukraine and abroad, including “A Little of Silence” (Kiev, 2017), “Wish You Were Here” (Lesya Ukrainka Museum, 2018), “The Night” (Zavalnyi Art Center, 2018), and “Live in Avatar” (Art‑Caffe Klub, 2022). Internationally, she participated in the 2019 Venice Biennale, art fairs in Toronto, and gallery projects in Italy, Switzerland, and Barcelona.

In 2021, she received the Grand Prix at the ProCheese Awards in Kyiv and was featured in prominent Ukrainian art platforms and exhibitions such as “365 Days After,” “Women in Art,” and “Hryvnia Art.” Her works are held in notable public collections, including the Museum of Outstanding Figures of Ukrainian Culture in Kyiv and the Korsak Museum of Modern Art in Lutsk, with additional acquisitions by private collectors across Europe and Asia.

Bagatskaya combines her background in fashion design with an exacting painting process involving over 100 preparatory photographs and multiple draft versions, sometimes up to six iterations per work. She dedicates up to 11 hours daily in her studio, striving to elevate acrylic painting to photographic realism that delivers a powerful “wow” factor. Her art challenges the boundary between human perception and imagery, using acrylic as a visual language.

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