Chantilly, 2025
Painting : oil · 51 x 51 x 4 cm 20.1 x 20.1 x 1.6 inch · Ready to hang
€1,850
1 850 €
Shipping & delivery
Shipped from: Canada
Delivery to: Germany , € 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
51 x 51 x 4 cm 20.1 x 20.1 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This captivating artwork features the back of a figure with a striking focus on a large, meticulously painted ribbon tied around their neck. The play of light and shadow on the ribbon's folds adds a dynamic realism that captures the viewer's attention. The figure's hair is styled in a neat bun, emphasizing the elegant simplicity of the composition. The background is adorned with abstract calligraphic elements, providing an intriguing contrast to the soft realism of the figure. The overall color palette employs warm, earthy tones with highlights that create depth and texture, enhancing the sensuality of the exposed skin. This juxtaposition of human form and abstract design invites contemplation, evoking themes of identity and expression. The artist's skillful technique in blending realism with abstract elements makes this piece uniquely compelling and visually resonant.
Presentation
Carl White was born in Liverpool, England in 1969.He Studied at the Alberta College of Art & Design from 1989-1992 in Calgary, Alberta. His paintings and drawings have been featured in many solo and group exhibitions across Canada since 1992 and reside in numerous private collections nationally and internationally. White currently lives and works in Calgary, Alberta where he divides his time between teaching and studio work.
Artist Statement
In the way that a poet would seek to understand language with the goal of approaching the sublime, I have tried to understand painting with similar purpose. The ability to move beyond the literal towards a truth. The tools of a painter are akin to that of a poet, words and their placement, language and its rhythm. I am painting poems, images that dance between realism and abstraction, text and flesh, with the hope that the viewer experiences rather than views.
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