Sacre, 2019
Clotaire Lehoux  

Painting : oil · 200 x 150 x 1 cm 78.7 x 59.1 x 0.4 inch

$4,684 4 684 $US

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Shipped from: France

Delivery to: United States , $ 468

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

200 x 150 x 1 cm 78.7 x 59.1 x 0.4 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

I painted this picture as the mutation of nature into a humanized form. I intended to return to a more figurative style of painting while retaining the gestural quality of my previous paintings.

This painting expresses movement inspired by dance, imbuing the composition with a convulsive gestural quality.

Abstract

Portrait

figurative

Silhouette

orange

Yellow

Clotaire Lehoux, Sacre
France  • 1971

Presentation

My painting is at the heart of a search for materiality and expressiveness.
The legacy of painters like Eugène Leroy and Bram van Velde affirms my attachment to the sole means of painting as a mode of expression.
From 2016 to 2021, plants were at the heart of my main themes, unfolding in large compositions. This world allowed me to fully express the idea of a sovereign and whimsical nature.
The color and light seem to burn in real time, giving the painted subject a powerful radiance and immediate appeal.
The evolving nature of my approach, driven by the constant search for new forms, is currently leading me towards more structured universes inspired by architectural forms.
Artistic movements such as Art Nouveau and Art Deco both influence my work.
I have developed my technique by not exclusively using oil paint, to also work with acrylic, oil and dry pastels, giving free rein to other forms of expression.
Today, the theme of arches and columns has become almost obsessive, referencing immutable forms. This has allowed me to compose my paintings differently, emphasizing lines and the layering of motifs. Reconstruction/deconstruction has become a driving force in my creative process, revisiting old paintings to give birth to new ones, this practice fueling a symbolism of rebirth inherent to the artist's condition.

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