Omph, 2025
Painting : acrylic · 75 x 56 cm 29.5 x 22 inch
€450
450 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 82
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
75 x 56 cm 29.5 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork unfolds a dynamic, spiraling composition. The intertwined graphic patterns present a myriad of oval shapes in shades of blue and yellow, creating an impression of continuous movement toward the center, like a luminous vortex. The carefully chosen colors contrast and complement each other, reinforcing the hypnotic effect. Fluid lines and black outlines lend striking depth to the composition. The contrast between light and shadow accentuates the impression of volume and perspective. This interplay of forms invites the viewer to immerse themselves in a vibrant and captivating universe, where every detail seems to be in perpetual metamorphosis. The originality lies in the masterful use of repetition and the arrangement of vivid colors, which imbue the work with an inexhaustible energy.
Presentation
Laurent Monfrayx paints urban mantras under the pseudonym Lyx.
Each canvas is guided by a maximum of three words, repeated, fragmented, and layered until they become a visual rhythm. The gesture transforms writing into a vortex, repetition into a pulse, and language into raw energy.
His work falls within the realm of contemporary urban abstraction. Everything originates from the exterior, fragmented, multifaceted, and shifting, converging towards a center. This center acts as an open key, a space of condensation and intensity where the composition resolves itself.
At the crossroads of graffiti and urban mandala, his painting evokes contemporary calligraphy. Each work rests on a strong, taut structure that captures the eye and draws it towards a point of equilibrium. The canvases become architectures of signs, spaces of tension and convergence, leaving each viewer free to project their own interpretation, their unconscious, and their emotions onto them.
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