Sans couleurs, 2026
Painting : acrylic · 75 x 56 x 0.1 cm 29.5 x 22 x 0 inch
€450
450 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 41
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
75 x 56 x 0.1 cm 29.5 x 22 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating work, dominated by shades of blue and white, seems to burst beyond the canvas's boundaries, recalling the dynamism of abstract expressionism. The center is particularly intriguing, where a concentration of dark forms draws the eye, creating a hypnotic sense of depth. Vigorous brushstrokes and deliberately chaotic splashes add raw energy and constant movement, evoking spontaneity and artistic freedom. The drips at the bottom of the composition lend a gravitational dimension, grounding the work in tangible reality. The bold use of negative space between the generous strokes enriches the visual complexity. This piece invites reflection on chaos and harmony, while challenging traditional perceptions of order and structure.
Presentation
Laurent Monfrayx paints urban mantras under the pseudonym Lyx.
Each canvas is guided by a maximum of three words, repeated, fragmented, and layered until they become a visual rhythm. The gesture transforms writing into a vortex, repetition into a pulse, and language into raw energy.
His work falls within the realm of contemporary urban abstraction. Everything originates from the exterior, fragmented, multifaceted, and shifting, converging towards a center. This center acts as an open key, a space of condensation and intensity where the composition resolves itself.
At the crossroads of graffiti and urban mandala, his painting evokes contemporary calligraphy. Each work rests on a strong, taut structure that captures the eye and draws it towards a point of equilibrium. The canvases become architectures of signs, spaces of tension and convergence, leaving each viewer free to project their own interpretation, their unconscious, and their emotions onto them.
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