Scintillation II - Black Brown Gray Horizon Abstract Artwork, 2025
Daria Kalinnikova  

Painting : acrylic · 60 x 40 x 1.8 cm 23.6 x 15.7 x 0.7 inch · Ready to hang

$450 450 $US
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Shipped from: United States

Delivery to: United States , $ 38

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 40 x 1.8 cm 23.6 x 15.7 x 0.7 inch Height x Width x Depth

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Description

Scintillation II | Layered Horizon Neutral Abstract Artwork

This artwork presents a refined exploration of horizontal space through layered abstraction and a controlled palette of black, gray, and brown tones. The composition suggests a distant horizon, balancing between atmospheric landscape and emotional abstraction. A dense, textured band across the center creates a visual boundary, enhancing depth and contrast.

Executed with acrylic on linen canvas, the surface reveals expressive brushwork and subtle tonal transitions. This piece is ideal for collectors seeking contemporary abstract artwork that integrates seamlessly into modern interiors. Its restrained color scheme makes it especially suitable for minimalist spaces, offering a quiet yet powerful visual presence. An excellent choice as a sophisticated gift or a statement element in curated environments.

Abstract

Sky

Horizon

Impasto

Semi-abstract

Beige

Black

Daria Kalinnikova, Scintillation II - Black Brown Gray Horizon Abstract Artwork
United States  • 1991

Presentation

Daria Kalinnikova (b. 1991) is a contemporary abstract artist. Her practice explores material as process and form as movement, focusing on perception, space, and the physical presence of an artwork.

She graduated in 2013 from Saint Petersburg State University of Architecture and Civil Engineering, where she developed a strong analytical understanding of structure and spatial logic. While architecture shaped her clarity of composition, it also led her toward a more intuitive artistic language—one that allows uncertainty, rhythm, and sensation to guide the work.

Daria works across acrylic painting, watercolor, calligraphy, drawing, graphic techniques, and sculptural forms. These mediums function as experimental fields where color becomes tactile and composition unfolds through layered surfaces, subtle tensions, and shifting light. Her abstract works do not depict specific places; instead, they register internal states—emerging from memory, overlapping like residual traces, and remaining suspended between appearance and disappearance.

Light plays a central role in her visual language, dissolving edges and destabilizing form. In her graphic practice, she embraces imperfection as a productive condition, using fine tonal shifts and delicate marks to explore absence, erosion, and incompleteness. Each piece invites slow looking, changing with distance, movement, and time.

Her paintings often extend beyond the canvas, while her sculptural objects investigate balance and instability—encouraging viewers to perceive familiar forms as moments in motion rather than fixed structures. Through a quiet yet rigorous visual language, Daria creates contemplative environments where materiality transforms into experience.

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