Tarata, 1995
Victor Hugo Antezana  

Painting : Watercolour · 28 x 32 cm 11 x 12.6 inch

€700 700 €

One of the last works available by this artist

Shipping & delivery

Shipped from: Bolivia

Delivery to: Germany , € 78

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

28 x 32 cm 11 x 12.6 inch Height x Width x Depth

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Vetted seller since 2020

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Description

This evocative artwork, a masterful play of light and shadow, captures the ethereal beauty of a Bolivian colonial village. The painting is dominated by a central white building, the Tarata church, its facade subtly illuminated, drawing the viewer's gaze with its architectural charm. Surrounding structures, softly rendered in muted earth tones, create a harmonious blend, suggesting a serene twilight ambiance. A towering steeple rises majestically in the background, adding a sense of historical depth. The delicate use of watercolor gives the scene an almost dreamlike quality, with gentle washes and translucent layers that convey an atmosphere of nostalgia. This piece stands out for its ability to evoke emotion through its minimalist composition and the skillful depiction of light, embodying the timeless allure of historical architecture and the quiet stories hidden within village walls.

Urban Landscape Artworks

Andes

Bolivia

Church

Beige

brown

Victor Hugo Antezana, Tarata
Bolivia  • 1962  - 2017

Presentation

Born in Cochabamba, Bolivia, his works were a constant presence in salons and galleries since 1982. He exhibited mainly in Bolivia and Ecuador, while his works can be found in institutional and private collections in Europe, the United States, and throughout Latin America. Considered a major figure for the painting tradition of Cochabamba, he worked at ease with watercolors, oil paints, and drawing mediums; even though his preference for watercolors is reflected in the many national awards he obtained with pieces in this medium. Outstanding landscape painter, he reflected with vivid and lively colors the staple landscapes of the Cochabamba Valley, displaying his personal character, away from the dismal and taciturn. The body of his work is considered of significance as it defines, beyond its technical excellence, the cultural melieu prevalent in the region during his time.

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